New year, new attempt at staying online. I have goals! I have intentions! I love the fresh start of a new year, so here’s a little recap of my 2023 reading before I abandon it all in the name of new and exciting 2024 things. I’m hoping to jump back into reviews imminently and be much more present with bookish content and friends this year, but a broad roundup of my 2023 reading seems like the best place to dive back in.
In 2023, I read 42 books. I continued to struggle with migraines and fatigue so that total number is still lower (as it has been for about 3 years now) than what I would call “normal” for me, but it is increasing and I hope will continue to do so.
I mention the struggle with health because it directly impacted my reading plans for 2023: cover color tbrs! Because I was reading less regularly, I didn’t want the pressure of monthly tbrs/deadlines, and needed to refamiliarize myself with the books that were readily available to me as well as reassess what sorts of genres/topics I was going to be interested in reading after massively scaling back both my bookish input and output the 2 previous years. So I spent 2023 picking color sets (with a couple of book prize list exceptions), collected books that fit the prompts, and read 6 from each set. It was silly, but it absolutely worked. I scoured my shelves, found unread books I’d forgotten about, purchased some new books for the first time in a while, thought about categorizing and critiquing books in new ways, and gave myself the time to read at whatever pace I needed to with each set. Even after I fell off the wagon with reviewing here again, I brought reviews back to my bookstagram (which wasn’t the plan for 2023) because I was engaging naturally again with what I was reading and I did want to keep pushing myself to think through what worked or not, why, and write something coherent about it all. Sometimes doing as much as we can isn’t the same as doing as much as we would like to, but it’s still better than doing nothing. Without that silly year of color reading I wouldn’t be here today, fully ready to dive back in, be creative and critical, and read without constraints.
My top books for the year were:
- Migrations by Charlotte McConaghy; my very first read of 2023 and my favorite all the way through December. This is a poignant near-future literary novel about grief and climate change, as one woman runs from a difficult situation with her husband in order to follow the last migration of Arctic Terns with the eclectic crew of a fishing ship, a found family under increasing duress. It’s a moving and accessible read that pays wonderful homage to the natural world. 5 stars.
- Pod by Laline Paull; shortlisted for the 2023 women’s prize, this aquatic tale narrated from the perspective of sea creatures (primarily a spinner dolphin) took me entirely by surprise. Though not usually a fan of animal stories I found myself constantly Googling for more information about real sea creatures, habitats, and incidents that caught my interest in the book. It’s an emotional read that, like Migrations, confronts the reader with the devastating impact humankind is wreaking upon world environments. 4 stars.
- Bright Young Women by Jessica Knoll; a crime novel that investigates the damage one well-known serial killer left in his wake in the 1970s by highlighting the lives of the women left behind. The Defendant goes entirely unnamed here as Knoll focuses her multi-timeline multi-POV masterpiece instead on the grief, the social impacts, and the police incompetency that plague two women who make it a personal mission to bring him to justice. Deftly done, gripping, and leaves one rethinking media portrayal of “popular” criminals. 5 stars.
- Nightcrawling by Leila Mottley; up for the Booker in 2022 (among other prizes), this absolute gut-punch of a novel depicts the struggle of a teen girl who turns to prostitution in order to pay her climbing rent. The nightmare goes from bad to worse when she’s caught and exploited by the local police force. Not for the faint-of-heart but it is very smart and eye-opening, written impactfully and memorably. 5 stars.
- Prophet Song by Paul Lynch; winner of the 2023 Booker prize, this lyrical novel started very slow for me but has proved unshakeable ever since. In this near-future dystopia, a change in government has upended legal rights and life as we know it for one (Irish) family vying for safety as all hell breaks loose. It feels hauntingly timely and reflective of the global situation these past months; also not a story for the faint-of-heart but an absolutely necessary novel, especially in light of recent events. 4 stars.
- The Daughter of Izdihar by Hadeer Elsbai; an Egypt-inspired fantasy featuring elemental weaving. The ages, themes, and accessibility do suggest this is an appropriate book for younger (maybe 14-18) audiences, but the twisty plot, feminist characters, and utter lack of patronizing or overly simplistic tone in the writing keeps it fun for adults as well. Cannot wait for the sequel. 5 stars.
- The Bandit Queens by Parini Shroff; it’s hard to imagine getting tired of satirical stories about women murdering their husbands/boyfriends, I love them every time. Here we have a loan group comprised of Indian women frenemies, some of whom would like to kill off their husbands to escape abuse and enjoy the freedoms of widowed life. It’s funny and serious at the same time, conveying stories of trauma in a palatable way that also emphasizes how desperately a realistic solution is needed. 4 stars.
- Western Lane by Chetna Maroo; a slip of a book, this Booker shortlister follows a teen who becomes a competitive squash player in the wake of her mother’s tragic death. Though squash is a main focus here, an interest in the sport is not a prerequisite; instead this is moreso a book about navigating grief and coming of age, and the sometimes-fraught relationship between children and parents trying their best. 5 stars.
- Disorientation by Elaine Hsieh Chou; dark academia following one Asian American woman struggling through a PhD; this examination of yellowface in academia captures the drudgery of school, the wildness of amateur sleuthing, and the horrors of real social injustice. A great compare/contrast piece to Kuang’s popular Yellowface, I liked Chou’s ability here to instill some wackiness to the plot to keep the story light on the surface without sacrificing the seriousness of its subject matter. 4 stars.
- Trespasses by Louise Kennedy; an Irish Troubles novel in which a young schoolteacher begins an affair with a married man. Already a controversial pair, Kennedy also invites us to consider with these characters the tension in this time between differing religious and political stances, and the harm in the name one bears or the group one belongs to mattering more than a person’s character. Of course we can’t expect this relationship to end well, but somehow the ending still came as a surprise for me. 4 stars.
Though I’ll limit the standouts to those 10, almost all of my reading was enjoyable this year! 5 stars were sadly limited BUT I read only three 2-star books n 2023, my “worst of:”
- The Drawing of the Three by Stephen King; this was the second book in King’s Dark Tower series, which I am (slowly) buddy reading with a friend. The buddy chats were the only enjoyable part of this experience, really. I’m reading all of King’s work for… reasons, but his books do tend to be hit or miss for me at this point. This one was very episodic and quest-like, which is a framework that doesn’t tend to keep me engaged very well (it feels too meandering and directionless); most of the characters felt stereotypical and unimpressively handled, coincidences and conveniences kept piling up, and my eyes rolled painfully far into the back of my head every time the word “lobstrosities” (lobster monstrosities) was used, which was far, far too often.
- Daisy Darker by Alice Feeney; I picked up my first Feeney novel to satisfy a thriller mood, but this one totally missed the mark. I normally enjoy closed-room mysteries, and didn’t mind the central conceit here, but every single character was so insufferable that I didn’t mind anyone dying- and a thriller is not thrilling with no stakes! The writing felt very adolescent to me, and packed with trite generalizations about life, family, love, etc. in place of depicting any actual characterization through actions or reactions on the page. I couldn’t stand the style, which I suppose at least confirmed that this author is not for me.
- The Stranger Upstairs by Lisa M. Matlin; another case of me being too picky with thrillers, perhaps. I picked this up off the premise that a young couple buys an old fancy house for cheap to renovate and upgrade, as it’s been sitting neglected for years after a murder spree happened inside. Unfortunately the MC does very little hands-on work with the house herself (what a missed opportunity when the house is such an important character to this tale!), and seems to be intentionally sabotaging her life then looking around in surprise when things fall apart. I found the writing choppy and repetitive, and again just didn’t have anyone to root for which made it hard to stay engaged. I actually loved the final reveals of this story, but was too frustrated with the execution to enjoy them properly.
Without many extremes to note, most of my 2023 reading fell into the “enjoyed it”/”enjoyed it a lot” 3- and 4-star range. My average rating for the year was 3.5, which is slightly low (3.6 is more typical for me) but close enough to “normal” to satisfy.
In the name of avoiding reading deadlines (among other excuses) I did not visit the library in 2023; instead almost all of my reads were either pulled from my own physical tbr shelves or purchased new, with just 2 books borrowed from friends/family. Getting back into book prize reading this year was definitely a factor in purchasing more new books, as without the library I had no other way of attaining those. (Nothing against audio or ebooks, they just aren’t my jam!)
I’ll be honest, I also bought a lot more books I haven’t read yet, and I don’t feel even a bit bad about it or inclined to investigate that number at all. I spent a solid 2 years pretty well entirely out of the book world, including almost zero purchasing, so it felt good to get my cravings back! I also am just not a person who feels the need to work down to a zero tbr; apparently we never know when we’re going to need to quarantine or survive a world collapse (I am so into climate crisis fiction lately) so at least I will be well-stocked! Even with life proceeding as usual I enjoy having plenty of choices and feeling like there are always more worlds available to delve into.
Speaking of delving into places near and far, I read from x different countries this year, not my best but not bad considering I was reading for cover color without really making a conscious effort to read diversely. Without taking that active effort my reads definitely skewed toward US-based stories and authors, but even so those more “local” reads only accounted for about half of my reading volume. I also read at least a little about: Ireland, Jamaica, England, Canada, India, Australia, Mexico, Vietnam, France, Scotland, Egypt, Iceland, Russia, and the Netherlands.
I read surprisingly more male authors than usual in 2023, which I don’t foresee that being a trend (aside from continuing my trek through Stephen King’s work). 1/4 of the books I read by men last year were from Stephen King, and 1/3 were Booker shortlisted authors (meaning 1/4 of my men writers this year were named Paul! lol) Sadly though I don’t think I read a single book by a nonbinary author this year, nor a single translation, both of which are unusual stats for me and I do intend to change again going forward!
As for genres, literary fiction takes the cake for me as usual. Historical fiction was a bit higher than expected this year, nonfiction maybe a bit low but a decent showing. No real surprises in the genre chart this year imo.
Any stats I seem to be missing? I think that’s everything from my list but I know others track many more things! Lmk if you’re curious about any more of my reading year, and I may be interested enough to dig a bit deeper. I am *hoping* to still catch up with some more reviews from my 2023 reads, especially since I did keep some notes and info on each read as I went and would like to at least do a little roundup for each of the color/prize categories that I read since that was something interesting about my 2023 reading that I won’t be carrying into 2024.
How was your reading year? Above average? Below, like mine? Status quo? All’s fair, and we trundle on 🙂