I’ve always had such fun with Ruth Ware’s thrillers (I think I’ve read all of them!) so of course I picked up her 2019 release, The Turn of the Key. I really liked this one, though I think I’m becoming a bit too familiar with Ware’s style… I saw through some of the mystery, though I still found it an engaging read!
In the novel, Rowan answers a nannying ad that sounds like a perfect fit for her; in addition to great pay, she’d have a room in a private home in exchange for looking after 3 or 4 children (the eldest being away at school for part of the story) in a remote Scottish smart house while the parents are away for work. The catch is that between leaving her old job and moving from London for the new one, she has no time to familiarize herself with the house or the children before her new job begins. The smart system that runs the house seems to be acting up, and the children are fighting the presence of yet another new nanny- apparently the last few have been scared away by the house’s tragic history. Can Rowan brazen it out and find her footing in what could be a dream job, or will the house and the girls get the best of her?
“Maddie’s expression was very different, harder to read, but I thought I could tell what it was. Triumph. She had wanted me to get into trouble, and I had.”
In case you haven’t picked up on it by now, let me mention again that I love classic retellings. Ware’s The Turn of the Key is a loose retelling of Henry James’s eerie The Turn of the Screw, which I read and appreciated for its atmosphere and strangeness earlier this summer. The reader does not need to know anything at all about James’s original story to enjoy this thriller, which is more similar in setup than in plot, but I found the small connections quite amusing.
The Turn of the Key is formatted as a series of letters to a lawyer that the incarcerated nanny hopes will help her case; as the story opens, she has already been arrested for the death of one of the children. This structure, which assumes the lawyer already knows the basic facts of the sensationalized case (such as the nanny’s ulterior motive for applying to this particular job, and the identity of the dead child) allow our narrator to hint at but largely withhold key details from the reader and thus frame her tale as a mystery. Some of the nanny’s direct pleas to the lawyer and guesses at his reactions to the most controversial moments of her narrative felt overdone and pulled me out of the main story, but overall I found it an effective framing technique. There is some extra significance given to these letters at the end of the book that lends purpose to the structure. Once it gets going, the mystery flows well and it’s easy to retreat into Rowan’s experience with the children and the house until the letters become more essential to the story.
“It sounded… well… as if there was someone pacing in the room above my head. But that made no sense either. Because there was no room up there. There was not so much as a loft hatch.”
For readers new to Ware’s work, I think The Turn of the Key would be an excellent place to start. As usual, she gives us a remote location, a house that feels almost like a character in itself, a handful of side characters that are difficult to decide whether to trust, and a narrator with a secret up her sleeve. Intriguing questions are introduced immediately. Some things seem “off” pretty early on- Rowan is a qualified nanny who does seem to care about children, but we know right away that she had another reason to apply for this particular job, and little details in the story she gives her new employers don’t quite add up. Then there’s the malfunctioning smart system in the house, which seems in perfect working order except that it seems to be following orders no one in the house is authorized to access in the control menu. But though some aspects may be a bit transparent, Ware still manages to hold the reader’s attention and offers a movingly human solution to the mystery of the unpredictable smart house. I was thrilled to discover this isn’t just another reiteration of technology going rouge with the belief that it knows better than the humans.
Though I did think the source of the novel’s suspense and ultimate solution seemed unique enough, this isn’t a ground-breaking thriller. I haven’t read any of the other titles from the recent nanny-thriller trend, but still found notable similarities to other recent thrillers I’ve read- the strain from lack of sleep, the too-good-to-be-true ad, the certainty that the culprit must be inside (or very near) the house, etc. It’s a fairly standard representative of its genre, though undeniably solid for its lack of flare.
My only real hold-up here is that I think I’m becoming too familiar with Ware’s style. I’ve read all five of her books now, with a bit less enthusiasm for each volume, though I think that trend comes down to my knowing Ware’s style well enough by now that she can’t quite shock me anymore, rather than a decline in Ware’s capability as a writer. I believe that if I had read her books in any other order, I would feel the same after finishing them as I do now- that the mysteries are becoming a bit too transparent to truly surprise me. And yet, even so, I always enjoy the creepy atmosphere Ware provides, the realistically flawed protagonists, the uneasiness over knowing that every strange occurrence is not a supernatural terror but the work of a malicious (or at least misguided) human hand. Though I saw through some of Ware’s slight-of-hand tactics here straightaway, I was nonetheless drawn in by the creepy noises and touchy technology, the difficult children, the dynamic between Rowan and the family/staff at Heatherbrae. I found this a quick, easy, and mostly satisfying read, despite its failure to stand out from the thriller crowd, and I would highly recommend it to the right reader.
“I did hate them- in that moment. But I saw myself, too. A prickly little girl, full of emotions too big for her small frame, emotions she could not understand or contain.”
My reaction: 4 out of 5 stars. There’s just something about Ware’s writing that keeps me coming back, and I did have a good time with this one just as all the others. I’ll probably pick up her next book, as well. But I’m also content to put the thriller genre aside for a little while- at least until I need something spooky to pick up in October.
What’s your favorite Ruth Ware novel?
The Literary Elephant