Tag Archives: shadowhunter

Review: Lord of Shadows

I’m not sure if the release date for Dark Artifices book 3 (Queen of Air and Darkness) got pushed back or if I just wasn’t paying enough attention to it in the first place, because I thought I needed to be prepared to read it by February or March, not December 2018. That’s why I decided to pick up Cassandra Clare’s Lady Midnight and Lord of Shadows (Dark Artifices books 1 and 2) in January. I hope I will remember them well enough when book three is published, because after reading Lord of Shadows this week I know I’m definitely going to be reading the final book of this trilogy ASAP.

lordofshadowsAbout the book: Emma is trying to prevent the parabatai curse from befalling her and Julian by convincing him that she’s not in love with him. In the midst of that emotional turmoil, there’s a dangerous trip into Faerie that sets a new adventure in motion. The Seelie Queen wants to make a deal with the Blackthorns– a deal that involves finding Annabelle and the Black Volume. But she’s not the only one with an interest in the book, which means Emma, Cristina, and the Blackthorns need to watch out for some new deadly enemies. No one is sure whether Kieran is on the Blackthorns’ side now, or how far they can trust the Centurions who come looking for Malcolm. And where is Annabelle? What will she do next? Is she truly alive?

“We fear things because we value them. We fear losing people because we love them. We fear dying because we value being alive. Don’t wish you didn’t fear anything. All that would mean is that you didn’t feel anything.”

One thing that Lord of Shadows does better than Lady Midnight is to let the inevitable forbidden love angst stand behind the rest of the plot. Sure, Emma and Julian still love each other and that’s still a problem, but they’re trying to solve it by moving on, which means the rest of the story can take precedence. And it’s a great story. There are surprising twists woven throughout the book, and hints at what the final book of the trilogy will pull from its sleeves. The characters are coming into their own a little more, changing and becoming stronger and finding their own places in the story. We get more perspectives, more of Christina and Mark, more of the other Blackthorn siblings, more Kit. I find I care more about Emma and Julian when the narration takes a step back from their tortured love story.

“I think you cannot root out love entirely. I think where there has been love, there will always be embers, as the remains of a bonfire outlast the flame.”

It’s also great to see farther inside of Faerie with this trilogy. It’s a darkly whimsical place, and it rounds out the Downworld side of Clare’s Shadowhunter novels– we’ve seen vampires, warlocks, werewolves, and of course Nephilim, but faeries only in passing. Lord of Shadows takes the reader a step out of the mundane world for a whole new aspect of Clare’s Shadowhunting universe. Even in fantasy novels, it’s wonderful to see all perspectives represented.

Speaking of representation, Lord of Shadows covers a wide range of more familiar diversity topics as well. While Shadowhunter books have always been advocates of diversity, I have to admit that aspect is starting to feel a little more forced. It did to me in Lord of Shadows, anyway. For example, there’s a transgender character who reveals her medical history seemingly for the sole purpose of receiving an acceptance speech from another character. Accepting transgender characters is good, but it felt like it was just pushed into the story so that Clare could write about being accepting of it. If this character had made a stand against the Clave and the law that prevents her from holding the job she wants because of her gender identity, this reveal would’ve fit into the story a whole lot better. But the law goes unchallenged even hypothetically, and I don’t understand why.

There are good examples too, though. Like Mark’s conflicting loves for Cristina and Kieran. The conflict isn’t in the fact that he’s bisexual and loves both a boy and a girl, the conflict is in the fact that one of them is a faerie and one is a Shadowhunter; Mark is caught between two worlds, and his relationships are a reflection of that. It fits into the story as more than a display of bisexuality.

As long as we’re on the topic of love, I think I’ve finally realized my biggest pet peeve with Cassandra Clare books: every single character seems to be romantically interested in basically every character he or she could ever possibly ever be romantically interested in. There’s something about the narration that makes every routine introduction between characters oddly charged. Every friendship also seems to include both parties being especially aware of the other person’s body and love life. Every gesture and sentence is noticed by someone in some romantic way. Clare’s just covering all the bases for angst, I guess, but can’t anyone just be friends? Can’t they just be casual acquaintances? Is there really that much romance in life? Am I missing out?

But that’s a small matter. Clare readers who’ve been interested in the Shadowhunter novels this long know they’re at least partially in it for the forbidden romance. Let’s go back to diversity.

I especially appreciate the Greek and Roman references in this trilogy, though I am a little disappointed we’re getting so many Latin phrases and quotes from ancient Rome without much reference to the mythology. Especially with a character named Diana after “the goddess of the hunt,” I expected a little more. But I’ve been loving practicing my Spanish skills every time Cristina or Diego forget to speak English. There are some great names thrown in when Shadowhunters from all over the world meet for missions or meetings. And even our main characters do some traveling to show readers a bit of variety in culture. Even though Idris is a made-up place, it’s even exciting to see the differences between real places and fictional ones. Fantasy is a genre uniquely capable of uniting very different peoples and creating spaces where peace and harmony are possible in ways we don’t see anywhere yet in reality. It gives readers a goal, something to strive for in real life even where there aren’t Shadowhunters and Downworlders fighting to the death.

“Fiction is truth, even if it is not fact. If you believe only in facts and forget stories, your brain will live, but your heart will die.”

My reaction: 4 out of 5 stars. This is the same rating I gave Lady Midnight, but I definitely liked Lord of Shadows better. And I’m hope book 3 will impress me even more. I’m so excited (even though I’m a month late to count it as a successful end to my 2017 goal) to finally have finished my Shadowhunter reading marathon! I have now officially read all the Shadowhunter books currently published, and it feels good. I’m glad I kept going this far even though I haven’t loved every Clare book I’ve read in the past year. I’m still waiting for the Clave to be reorganized, though. Still. Waiting.

Sincerely,

The Literary Elephant

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Review: Lady Midnight

One of my 2017 goals (that I failed) was to read all of the books Cassandra Clare has so far published. At the time I set that goal, Lady Midnight was the most recent title, but Lord of Shadows was imminent. Now I’m finally finishing those up because better late than never, right? I just read Lady Midnight, the first book in the Dark Artifices trilogy, which is a sort of continuation from the Mortal Instruments series. You can read Lady Midnight without going through all those other Shadowhunter novels, but you probably will have the best sense of who’s who and what’s going on if you do read Clare’s books in publication order. (You can check out my review for City of Bones if you’re just getting started!)

ladymidnightAbout the book: Five years have passed since the Dark War in which Sebastian (Johnathon) Morgenstern tried to take over the world with his evil army. Julian Blackthorn and Emma Carstairs are parabatai now, and still live in the Los Angeles Institute with all of Julian’s younger siblings, who rely on him as their guardian. After years of dead ends and false hope, Emma has finally found a clue that could crack the mystery of her parents’ murder, and of course the Blackthorns will help her en masse, no matter how dangerous or twisted the investigation becomes. The Fae, currently on the Nephilim blacklist, make an interesting proposition to the Los Angeles Institute regarding the murder investigation; it means more risk for Emma and the Blackthorns, but also brings Mark back into the family– at least for a little while.

” ‘The world is terrible,’ said Mark tonelessly. ‘And some are drawn down into it and drown there, and some rise above and carry others with them.’ “

There are beautiful and powerful sentiments scattered throughout Clare’s novels, and Lady Midnight is no exception. But the farther I get into Clare’s oeuvre, I’m noticing that those poignant sentences are hidden under a lot more fluff. The books keep getting longer (my copy of Lady Midnight is 669 pages before the extra content sections in the back) but it seems that less is actually happening. At this point, part of the problem is that so much space is needed to recap previous events in this massive series because everything in the Shadowhunter world is intertwined, and Clare loves name-dropping past beloved characters even when it’s not really necessary to her current plots.

Sometimes Clare hits it spot-on with the humor, especially in the dialogue. But the humor in Lady Midnight often feels forced. Jokes are often followed by explanations that ruin them, random comments are too unnatural and “silly” to be amusing. The same lines and phrases are used over and over again, or sarcasm is brought into situations where it feels out of place. It fell pretty flat for me in this novel.

I think if Clare had written this story in about 200 fewer pages, a lot of these little annoyances would’ve worked themselves out.

But let’s take a look at Lady Midnight‘s central characters:

“She felt suddenly old, not just seventeen instead of twelve, but old. Old in her heart, and too late. Surely if she were going to find her parents’ murderer she would have done so by now.”

  • Emma is described as reckless and brave, and the leader of the group– into battle, at least. But there’s a line between being brave and being careless, and sometimes it feels like Emma makes unintelligent choices just to further the plot, and the others dismiss her rashness too easily.
  • Julian almost falls into that horrible trope where a lack of communication is really the biggest obstacle to his perceived problems, but I do think Emma changes enough throughout the course of the novel that it’s justifiable that he doesn’t try to talk to her openly right away. Many of his “secrets” are obvious before they’re officially revealed, but he’s a good liar, which keeps him interesting.
  • Cristina is a brand new and intriguing character, but so far she’s pretty bland. I could see how eventually it might come in handy to have a main character outside of the Blackthorn family tree, though that hasn’t been necessary to the plot yet. Her backstory is interesting and she seems like she could have a strong personality if she’s developed a bit more, which would make her less superfluous.
  • And then there are all the younger siblings. It was hard for me to keep them straight at first because for a while the reader is only being told about them instead of actually seeing them moving through the novel. I was more interested in seeing them take part in the investigation than in seeing Emma and Julian describe their mannerisms and hobbies.
  • Mark is great. It’s fascinating to see him straddling the line between two worlds, two lives. There’s a depth to his character that isn’t immediately apparent but ensures that he’s more than an object in a tug-of-war between the faeries and the Blackthorns.
  • And Kit Rook– easily my favorite character. He has only a few POV sections and not much action yet, but the things he is involved in are game-changing. His knowledge of the Black Market and its visitors, his skewed view of Shadowhunters, his criminal father, and his eavesdropping on questionable critters from the basement suggest he’s going to provide a unique vantage point to this trilogy going forward.

” ‘Everyone is more than one thing,’ said Kieran. ‘We are more than single actions we undertake, whether they be good or evil.’ “

(On a side note, what is the point of the wild hunt? They’re always described so poetically but… vaguely. They ride among the stars, through storms, with the wind… but for what purpose? What do they actually do? Does anyone know?)

I just don’t love Clare’s books like I did back when The Mortal Instruments was just a trilogy that I binged on a whim. Even in my reread of those first Clare books last year I still had some love for the early novels, but the later books don’t have that same spark for me. The ‘forbidden love’ theme is getting boring, the actual plots– wars and murders and evil robots and whatnot– take so long to play out. But every time I read another book, I’m encouraged to keep going, just one more. I still like something about them, though at this point it’s hard to say exactly what. I guess I keep waiting for the Clave to get what’s coming to them. I’ve been waiting since their bad rules were introduced in City of Bones, but the Shadowhunters are taking an awfully long time to get around to fixing their laws.

My reaction: 4 out of 5 stars. This was a solid 3-star read for me until the last 50 pages, to be honest. Everything was really coming together well at the end and it made me so hopeful for Lord of Shadows (Lady Midnight‘s sequel). I keep thinking “maybe I’ll quit reading Clare’s books after this one,” but then once I start reading I remember why I appreciated them so much in the first place. My goal is to finish with the old releases so that I can read her new novels as they are published.

Further recommendations:

  1. Leigh Bardugo’s Six of Crows is the first book in an excellent YA fantasy duology. It features a group of misfits who are maybe friends or maybe just stuck together by circumstance. Either way, they have to work together to carry out an impossible heist. The stakes are high, the betrayals are vicious, and the characters are bold and lovable. It’s also full of underlying morals of fighting for equality, justice, and peace.
  2. Sarah J. Maas’s A Court of Thorns and Roses series is a fantasy tale of romance and righting the wrongs of the higher powers in charge. If you like Clare’s battles between good and evil, Maas’s stories will probably also appeal to you. In my opinion, you just have to push through this first book to get to the good stuff in the rest of the trilogy, which is a similar battle to pushing through the fluff of Clare’s increasingly long novels for the excitement of the plot.

Are you a Shadowhunter reader? If you are, do you prefer her earliest books, or the latest ones? I guess I’m asking if the excessive length of her newer books is still worth the story? I’m on the fence.

Sincerely,

The Literary Elephant

Update: here’s a link to my review of the next book in this series, Lord of Shadows!

 

 

Review: Tales from the Shadowhunter Academy

My Cassandra Clare marathon of 2017 continues. This month I read Tales from the Shadowhunter Academy, the second short story collection in Shadowhunter publication order. I had high hopes for this one, but honestly it didn’t impress me any more than The Bane Chronicles. This second collectiontalesfromtheshadowhunteracademy is co-written by Cassandra Clare, Sarah Rees Brennan, Maureen Johnson, and Robin Wasserman.

About the book: There are ten short stories set around Simon’s time at Shadowhunter Academy, after the events of The Mortal Instruments novels. You should read those first to avoid spoilers. Each story is precluded with a key excerpt from the coming story, and a page of beautiful matching graphics. And now for the stories:

“Welcome to Shadowhunter Academy” : 3 stars. Nothing happens in this one that we don’t know already from the end of The Mortal Instruments. There’s a lot of angst about Simon’s missing memories, and a lot of snobby characters. Familiar faces from TMI appear like “guest stars.” Simon is trying to make a stand against prejudices at the school, but he’s a weaker character at this point because of his unknown past, and we’ve seen these same prejudices in Clare’s previous books. I was expecting a little more flare in this first story, but it’s heavy.

“The Lost Herondale” : 4 stars. This one, at least, follows a traditional story arc with steadily increasing tension to keep the reader engaged throughout the story. It starts a little slow, and trickles off after the tension fades, but it’s stronger than the first story. Most of the characters are still unpleasant, and the prejudices are back… I keep expecting Clare to make a big show of resolving conflict between the species and it just keeps… well, not happening.

” ‘We are all what our pasts have made us,’ Catarina said. ‘The accumulation of thousands of daily choices. We can change ourselves, but never erase what we’ve been.’ “

“Every decision you make, makes you. Never let other people choose who you’re going to be.”

“The Whitechapel Fiend” : 2 stars. Here are two stories in one, in which neither story seems to have a purpose. Especially the story Tessa tells– it’s heartening to see her in this context, but the moral to her story is “problems solve themselves.” There’s a second storyline with Jace and tree falls, which also has little point. “The Whitechapel Fiend” might have made a decent chapter in one of Clare’s novels, but it does not work as a short story. Stories are supposed to stand alone. And they’re supposed to be eventful. Halloween bonus for the demon child, though. She’s creepy.

“Nothing but Shadows” : 4 stars. Another story-within-a-story. Again, I believe a story is supposed to have a purpose, and when Catarina tells Simon her story, it seems at first that she’s going to offer some insight to help him with his current situation and instead she ends it with “you have to work these things out for yourself.” Which is what he would have done without her story anyway. It was a great tale, though. I could read a whole book about Jamie Herondale.

“That is the wonderful thing about making changes and meeting strangers, Jamie. You never know when, and you never know who, but someday a stranger will burst through the door of your life and transform it utterly. The world will be turned upside down, and you will be happier for it.”

“People are afraid of anybody who is different: It makes them worry everyone else is different too, and just pretending to be all the same.”

“Do not let any of them tell you who you are. You are the flame that cannot be put out. You are the star that cannot be lost. You are who you have always been, and that is enough and more than enough. Anyone who looks at you and sees darkness is blind.”

“The Evil We Love” : 4 stars. The back-and-forth narration of this one is more successful than the stories-within-stories. Both of the tales in this one have proper story arcs with increasing tension, and they feel properly related to each other. It provides a fascinating view of Valentine’s Inner Circle, and the difficult relationship between Simon and Isabelle; both are handled well, and even though they both fit into larger plots this story could stand on its own, which is something I’m looking for in a short story.

“Sometimes first impressions were misleading; sometimes they peered straight through to a person’s inner soul.”

“Love, real love, is being seen. Being known. Knowing the ugliest part of someone, and loving them anyway. And…I guess I think two people in love become something else, something more than the sum of their parts, you know? That it must be like you’re creating a new world that exists just for the two of you. You’re gods of your own pocket-universe.”

“Pale Kings and Princes” : 4 stars. Here’s yet another way to tell two stories: book-ending one with another. In this case, the two stories are connected with a single character, and the Shadowhunter prejudices against faeries. The best part of this story, as with much of Clare’s writing, is the trick of perspective: two people (or groups of people) will always tell the same story in different ways. That’s an important reminder in the real world as well as fiction, and it strengthens this story. This one works as a stand-alone, even though it features familiar characters. Thumbs up.

“Bitter of Tongue” : 3 stars. This story is compelling and emotional, but it doesn’t have much of a purpose here. It feels more like a chapter in the Blackthorn family history than anything related to Simon, or even to Shadowhunter Academy. The tension in the story is something that began before this story started and doesn’t end with it either, so nothing is resolved. Thus, the structure feels weak, though the prose is remarkably beautiful in places.

“Fortunate are the ones who know the name of their heart. They are the ones whose hearts are never truly lost. They can always call their heart back home.”

“Some were born with abs, some achieved abs, and some– like Simon– had abs thrust upon them by cruel instructors.”

“The Fiery Trial” : 3 stars. This one seems longer than necessary for the small amount of events it contains. On top of that, the main parabatai bond discovered here is predictable. But there is some wonderfully mysterious confused reality in the middle of the story that’s incredibly compelling, even though the beginning and end are more drawn out than needed.

“Born to Endless Night” : 2 stars. This story offers a unique mix of Magnus’s and Simon’s perspectives. But again, it’s too long. I don’t mind long stories when something is happening; there is only one really notable event in this story, it happens early on, and it has little to do with Simon or Shadowhunter Academy. The rest is all about everyone’s feelings, which can be nice too, but it doesn’t feel like the meat of this story. Also, I dislike babies being named after someone else. A name can affect a person. I think all people should have their own chance to make their own name significant instead of living in the shadow of whoever made the name significant before them. I do understand the desire, I just don’t support it for the naming of human (or warlock) babies.

“I think sometimes it’s too hard to believe in yourself. You just do the things you’re not sure you can do. You just act, in spite of not being certain. I don’t believe I can change the world– it sounds stupid to even talk about it– but I’m going to try.”

“Angels Twice Descending” : 4 stars. Here is an example of a story that is predictable and filled mostly with internalized emotion, but still makes a compelling story. This one could stand on its own, but it’s also full of now-familiar characters and memories. It’s an end and a beginning. It’s a beautiful exploration of meaning and determination that readers can apply off the page, despite all of the fantasy details that also make it the heart of this fictional collection. This is the reason I read the book.

“Choosing what’s right for you, maybe that’s the bravest thing you can do.”

“The point wasn’t that you tried to live forever; the point was that you lived, and did everything you could to live well. The point was the choices you made and the people you loved.”

Simon is one of my favorite characters in the Shadowhunting world, but at times he felt like a weak character in these stories because he’s constantly dwelling on his memory loss. It makes him less certain of himself and more anxious than usual. Also the academy is a disgusting place. It’s not like Hogwarts, which is whimsical and sometimes dangerous but still essentially a good place– Shadowhunter Academy is slimy, with bad food, prejudiced professors, torturous “classes,” horrible students, infestations, and a lack of plumbing. Every new detail about the school is something equally disturbing. It seems like an uninhabitable place, not a zany and educational one. Bad environments make my whole reading experience less pleasant.

My reaction: 3 out of 5 stars. My average rating was actually 3.3. Although Shadowhunter Academy did not live up to my expectations, I am glad that I included it in my Shadowhunter marathon because it’s likely that certain details from this collection will crop up in future novels. It also added extra closure to TMI. But… I finally get to read Lady Midnight! Most of my Shadowhunter marathon has been enjoyable, but the biggest reason I wanted to read/reread all of Clare’s books this year was for The Dark Artifices, except I wanted to read those without missing anything from the previous books. So even though most of these stories did not even meet my standard expectations of what a short story should be, this collection was worth my time.

What’s next: I’m still reading George R. R. Martin’s A Storm of Swords and will review that as soon as I finish. But I’m also picking up Matthew J. Sullivan’s Midnight at the Bright Ideas Bookstore, an adult mystery/thriller about a book-related death.

Sincerely,

The Literary Elephant

Review: The Bane Chronicles

I wanted to read all of Cassandra Clare’s Shadowhunter books this year, and at first I was unsure about whether that would include the two volumes of short stories, but clearly I’ve decided not to leave anything out. I just finished reading the first of the short story books, the collaborative The Bane Chronicles by thebanechroniclesCassandra Clare, Sarah Rees Brennan, and Maureen Johnson.

About the book: Near the end of City of Heavenly Fire, Magnus Bane gives Alec a little book full of some of the most important adventures of his life. Although The Bane Chronicles is written in the third person, I assume that this is the sort of volume that Alec received. The book contains eleven short stories, all around 50 pages, that take place at various points in Magnus’ long, warlock life.

Here’s a look at the stories –>

“What Really Happened in Peru” : 2 stars. There seems to be little point to this story. It’s a wandering tale that spans centuries, and the explanation at the end of the story does not answer the question that the narration set out to answer in the beginning. Some interesting things happen, and yes, it all takes place in Peru, but otherwise there is no coherence here, and Magnus does not even seem like the familiar Magnus Bane from the novels proper. It’s a weak start for this book.

“The Runaway Queen” : 4 stars. This one does take a more traditional story form, with mounting tension and a clear beginning and end. It starts a little slow, but the rest grabs the reader’s attention in true Cassandra Clare style. Magnus seems like his usual self again and the story feels like one of those crazy Shadowhunter and co. schemes that goes nothing like planned but is entertaining along the way.

” ‘Someday,’ Magnus said, looking at the crumpled royal person at his feet, ‘I must write my memoirs.’ “

“Vampires, Scones, and Edmund Herondale” : 3 stars. I found this one much more interesting than the previous two because it is directly connected to some of the main characters from The Infernal Devices. The backstory in that regard kept me engaged in reading this story, even though again, it was a wandering sort of story more fit to be a chapter in a novel than a complete story within itself. Short stories are supposed to stand alone, even if they connect to other stories, and this one does not.

“Magnus had been alive hundreds of years himself, and yet the simplest things could turn a day into a jewel, and a succession of days into a glittering chain that went on and on. Here was the simplest thing: a pretty girl liked him, and the day shone.”

“One can give up many things for love, but one should not give up oneself.”

“The Midnight Heir” : 3 stars. This one is addictively mysterious, ties even more directly back to The Infernal Devices, and feels just like a chapter from Cassandra Clare’s books. That was the problem with this one, though– it felt like a chapter, not a short story. If you’re not familiar with The Infernal Devices characters and plot, this story will make little sense, and seems to serve more as a glimpse back into that world than as a crucial event in Magnus’ life. Also, I was a little disappointed that the strength of a Tessa/Will/Jem reunion would take attention away from the struggling child in this story– it’s nice to see them again, but… priorities.

“The Rise of the Hotel Dumort” : 3 stars. The strengths of this story are its mystery and impending sense of doom. It’s weakness is that it features two disasters that should probably be linked in some way, but do not seem to be. If there is some connection, readers are left entirely to their own devices in making it. The setting is compelling, and both disasters kept me engaged in the story, but the end was not much of an ending. I believe some information about the vampires’ possible involvement might have tied it all together, but alas, that info was sadly missing.

“Saving Raphael Santiago” : 3 stars. This one starts strong. It opens with a mystery, and with a connection to The Mortal Instruments. It has strong, evocative and emotional prose in places, and the end is satisfying. But the mystery is concluded in the first half of the story, which kills most of the tension. I think this story would’ve benefited from a shorter page count.

“Love did not overcome everything. Love did not always endure. All you had could be taken away, love could be the last thing you had, and then love could be taken too.”

“The Fall of the Hotel Dumort” : 2 stars. Again, we have a mystery of sorts concluded too early, though the drop-off of tension was better managed. Unfortunately, the big details of the story are already clear from The Mortal Instruments– I knew what ailed the vampires because I remembered a comment Magnus made about it in TMI. And one has only to look at the date of this story and of TMI to know what does (or doesn’t) happen to Camille. The worst part though, for me, was the dreary descriptions throughout the story. Much like the underlying sense of gray and rain and confusion in the beginning of Clockwork Angel, the relentless heat and sickness and griminess pervading this story gives an unpleasant atmosphere to the whole story. I wanted to like this one, but all I got from it was a headache.

“What to Buy the Shadowhunter Who Has Everything (And Who You’re Not Officially Dating Anyway)” : 2 stars. I was happy to see some of my Mortal Instruments faves again, but sadly, this story felt more like a forced reunion with them than an actual story. Why couldn’t they have been doing something fun? Seeing Malec from Magnus’ perspective just makes them seem more perfect for each other though, so that’s a plus.

“The best one could hope for from Shadowhunters, if you were a Downworlder, was to be left alone.”

“Even the Shadowhunters Magnus had met and liked had been, every one, a trouble sundae with dark secret cherries on top.”

“The Last Stand of the New York Institute” : 4 stars. This was a step back in time from the last story, but I had been waiting for exactly this story to appear so I didn’t mind the jumble in chronology. The setting is great– the attention to timely matters, particularly– and the characters are portrayed loyally from details provided in The Mortal Instruments and The Infernal Devices. This is the first story in the book that has a strong story arc without relying on dramatic mystery, and there are some great one-liners and avenues for thought about prejudice and equality. The title of the story is a bit misleading, but this is a strong piece of the collection.

“It was one of the few things he had to believe in, the possibility of beauty when faced with the reality of so much ugliness.”

“The Course of True Love (And First Dates)” : 5 stars. Yes. Just yes. A little predictable, especially since the timeline here is in the midst of The Mortal Instruments, but this story is wacky and sweet and as much unexpected fun as City of Bones.

“The Voicemail of Magnus Bane” : 3 stars. Although admittedly humorous, this one does not read like a story at all, which disappointed me. I love when a cool format tells a good story. But there was no plot here, and nothing unexpected after having read The Mortal Instruments. I was hoping to be surprised, but perhaps the only point of redemption for this “story” was the moment Raphael had to call Simon a babelicious rock god.

My overall reaction: 3 out of 5 stars. My average rating was actually 3.1. I want to mention (miscellaneously) that the illustrations at the start of each story were one of my favorite things about this book, but also that I was sad not to see more Mortal Instruments characters make an appearance. It’s fascinating to see a closer perspective from someone outside the main Shadowhunter thoroughfare, and Magnus has proved a great candidate for that– he’s a genuinely kind person, who sees beauty in almost everything, whether it’s a man, a woman, or an elegant piece of clothing. He gives readers a whole new look at Shadowhunters that is multi-faceted and not always flattering. It provides readers a rounder view of the Shadowhunter world by leading them into Downworld, and eventually combining the two very different ways of life. I am glad I gave this one a chance, but I don’t think I’ll ever be rereading it, even if I want to revisit other Shadowhunter books in the future. I will be reading Tales from the Shadowhunter Academy, from the same authors, in the near future.

What’s Next: I’m currently reading Jane Austen’s Pride and Prejudice, which is September’s classic of the month for me, and which I won’t review until my Sept. wrap-up. My next full review should feature Curtis Sittenfeld’s Eligible, a modern retelling of Pride and Prejudice that I’m planning to pick up immediately after finishing with Austen’s classic. But I’m also extremely tempted to pick up one of my Book of the Month choices for September alongside my Pride and Prejudice quest, so don’t be surprised to see an extra review of undetermined title sneak in before Eligible. 😉

Sincerely,

The Literary Elephant

Review: City of Heavenly Fire

Drum roll, please… because I’ve finished the Mortal Instruments series! I didn’t really expect my Shadowhunter marathon to take me this long when I started rereading City of Bones in January, but I’ve now read nine of Cassandra Clare’s books, and finished both the Infernal Devices trilogy and the Mortal Instruments series, both of which I had started previously and failed to complete. And now the end is here! Sort of. There are a few more Clare books left on my list, but reading City of Heavenly Fire was a big milestone. And it’s a big book, so it’s doubly pleasing to have finished.

About the book: Sebastian/Jonathancityofheavenlyfire wants to rule the world (what’s new?). He couldn’t reach heaven, so he’s raising hell. He’s gathering allies and creating Endarkened forces to battle the Shadowhunters and anyone else who gets in his way. As usual, the Clave is being less than helpful and the real work falls to Clary and co. The problem is that Sebastian wants Clary and Jace beside him, and if it would save the world to hand them over, the Clave might consider making a trade. So when a clue falls into their hands about where Sebastian is hiding, Clary, Jace, Simon, and the Lightwoods set out on their own to end things once and for all– literally, because even if they win, there’s a chance they won’t be returning from this particular trip. With more at stake than ever before, it’s vital that Clary can harness her Rune-creating power, and that Jace can master the Heavenly Fire still raging through his veins; they’re going to need every advantage they can find to prevent total world domination.

” ‘Heroes aren’t always the ones who win,’ she said. ‘They’re the ones who lose, sometimes. But they keep fighting, they keep coming back. They don’t give up. That’s what makes them heroes.’ “

This is a long book. It’s massive. It gives all the same perspectives the reader expects after reading the first five books in this series, plus a few new characters. And yet, despite it’s size, City of Heavenly Fire is not slow and bogged down with detail as I feared. There are a few repetitive conversations, but for the most part all the information feels new and vital to the story. Unlike some of Clare’s other long books, I don’t think this one would benefit from any shortening.

“I think sometimes we are reckless with our hearts the way we are with our lives. When we give them away, we give every piece. And if we do not get what we so desperately needed, how do we live?”

The characters feel older in this final volume. So little time has actually passed– six months, I think– but all of these characters feel so much more mature than where this series started out. They’re still teenagers, and a few of the newer characters to the series are even younger, but Clary, Jace, Simon, Isabelle and Alec… they’re familiar at this point, and the reader knows they can fight and strategize and persevere. The going may be tough, but now they have experience. Their friendship is stable and reliable. The reader is expected to know what they’ve been through together, because the narration isn’t dropping those constant, lengthy, annoying recaps that series sometimes use. The characters have come to feel like family, for better or worse.

“There are things we want, down under what we know, under even what we feel. There are things our souls want, and mine wants you.”

One of the best things about Clare’s books are the overlapping details. Between the (last half of the) Mortal Instruments and the (entire) Infernal Devices, there are small clues to a bigger picture, and together the two time frames begin to construct a history, an entire world that extends beyond a single book, or in this case even a single series, and that makes Clare’s entire fictional universe so much bigger. I read Clare’s first nine books in publication order, and I think that’s a great way to go, but it seems like the distribution of detail would be interesting to read in other arrangements as well. If I do another big reread marathon someday, I’ll want to pick up these books in a different order, and I think the detail and the morals will be just as rich.

“Because the world isn’t divided into the special and the ordinary. As long as you have a soul and free will, you can be anything, do anything, choose anything.”

A downside, though, is that I think for these first two Shadowhunter series at least, the reader must read all nine novels to learn the entire story. There are little pieces that just don’t entirely make sense otherwise. For example, Clary meets Tessa in City of Heavenly Fire, and if the reader doesn’t understand who Tessa is, or how her friends connect to Clary’s, Tessa seems entirely inconsequential to the book. Nothing important happens in their meeting beyond the fact that they’re meeting, which is something that readers won’t care about without reading the Infernal Devices trilogy in conjunction with the Mortal Instruments. This is only one example; there are so many little comments and details that tie the two series together, so I highly recommend reading both sets together.

“So much magic, Clary though, and nothing to mend a broken heart.”

A little compare and contrast: I rated the Mortal Instruments books and the Infernal Devices books very similarly, but now that I’ve completed them both, I must say that I enjoyed the Mortal Instruments books a lot more. The plot is more action-packed, each character feels important to the story, the wrap-up is emotional but it’s still focused primarily on the events of the series. I found the Mortal Instruments less overly-dramatic, and also funnier.

“I was going to kill someone today. I just wasn’t sure who when I woke up this morning. I do love mornings. So full of possibilities.”

The biggest disappointment for me– in all of Clare’s books that I’ve read so far– is the Clave. The individual members that the reader sees seem so human and comprehensible, but somehow when all the big decisions get made, the Clave seems to repeatedly (and obviously) choose incorrectly. I kept thinking this series would end with some equality between all the different species we see coming together in these books, or at least with a repairing of a clearly defunct government system that might one day lead to equality. I can understand that Clare wants to end her books with room for future strife, but how long is it really going to take the Shadowhunters to realize that they’ll save a lot of lives and make a lot fewer enemies if they’ll try something different? I’m still hoping that a better balance of power will be reached in later books, although I’m not sure how many more hundreds of pages I’ll be willing to read to find out.

“Have you ever felt that your heart contained so much that it must surely break apart?”

My reaction: 4 out of 5 stars. This has been one of my favorite Cassandra Clare reads to date. Definitely in the top 3, though I don’t have an official listing of the order of my favorites and dislikes. I’m planning to move on to The Bane Chronicles soon, which was Clare’s next publication after the end of the Mortal Instruments series. It’s a short story collection with other contributing authors, so I’m a little wary, but I’m a lot more intrigued about it after City of Heavenly Fire than I ever have been before.

Coming up next: I’m currently reading the collaborative new release Because You Love to Hate Me, a short story collection about villains collected from a dozen or so popular YA authors. Big name bloggers and booktubers also contributed to this one, but I’m primarily reading it as a sampling of authors, to help me decide which writers I might want to see more from, and which ones I’ll want to skip. Also, it’s all about villains, which is fun to experience.

Who’s your favorite YA fantasy author?

Sincerely,

The Literary Elephant

Review: Clockwork Princess

I’m on a mission to read all of Cassandra Clare’s books this year, and after months of feeling like I was stuck in the middle, I have reached an end–not the end, because I still have two collections of short stories and three full novels to go, but I have officially reached the end of the Infernal Devices trilogy. Although I had read the first two books of this series previously, this was my first time through book three, Clockwork Princess. This will be a spoiler-free review, but you should read Clockwork Angel and Clockwork Prince before continuing below.

clockworkprincessAbout the book: Mortmain’s evil plans are coming to fruition–the automatons are now nearly unstoppable and countless in number. All he’s missing is Tessa, the final piece toward completing his scheme, and he won’t be missing her for long. Charlotte and the other residents of the London Institute are preparing to end things once and for all–if they can manage it, with only nine fighters. More likely, they’ll fight to the death and make no more than a dent in Mortmain’s army. Defeat would mean disaster for all shadowhunters, but the Consul is looking for any excuse to remove Charlotte from power at exactly the wrong time–no one else will help her now. With Jem and Tessa and Will all tangled up in conflicting love and honorable intentions, there are threats of broken hearts on the horizon, as well as the potential end of all Shadowhunters.

” ‘There must always be a first,’ said Jem. ‘It is not easy to be first, and it is not always rewarding, but it is important.’ “

I would easily say this is the best book of the three. The action starts right away, but without the momentary confusion of coming into the middle of a scene. From the beginning there’s a wider range and more equal distribution of character perspectives presented than we’ve seen in the earlier Infernal Devices books–Will, Tessa, and Jem are still our main characters, but the reader also sees secondary points of view early and often throughout the book. Sophie, Charlotte, Cecily, the Lightwoods…

“We see our better selves in the eyes of those who love us.”

First of all, there’s a plot hole here. In this volume, the reader finally learns about Mortmain’s “creation” of Tessa, and what he’s planned for her. But even if he played a role in her existence, how does that explain his knowledge of her unique shape-shifting talent? This is a question for anyone who’s already read this book–if Tessa’s the first of her kind, how could anyone (Mortmain included) have known what specific power she would display, even before Tessa knew?

But back to the review. My only real complaint about Clockwork Princess, and to a lesser extent, the other books in this trilogy, is its length. I do not mind reading long books, but I think most of the issues I had with Clockwork Princess could have been resolved on their own if Clare had been restricted to a shorter page/word count. First we have Jessamine, a largely pointless character. This trilogy failed to make me sympathetic to her case, and her reappearance in this volume provides only a reiteration of information. She does very little to further the plot throughout the trilogy. Secondly, we have annoying repetitions, which I mention in more detail in my review of Clockwork Prince, but which also appear in this book. The reader follows multiple perspectives, which I enjoy, except for the parts where the characters discover the same things at different times and the reader is forced to read a repeat of the same information. I wish Clare would have found a way around that. I also wish some of the Jem/Will/Tessa angst had been left to the reader’s imagination. Because thirdly, we have nonstop angst. It was clear from book one that they all love each other, and the looks and gestures between them would’ve been enough to convey the difficulty of that situation without each character describing their love and pain in every chapter. Will’s curse from book one and Jem’s and Tessa’s engagement from book two (and something else I won’t describe from book three) are the only real changes between the three of them, and yet we are given hundreds of pages of reasoning as to why each of them shouldn’t be in love with the other but is anyway.

That’s a hard point to criticize though, because the overly drawn-out love triangle angst is basically the purpose of the book. The mystery with Mortmain could have fit inside one book if all the relationship drama were removed from the trilogy; after the first book, he’s barely present. We don’t see him at all in Clockwork Prince, and in this book he makes one big play for total control of the Shadowhunter world, which is significant, but hardly takes up 568 pages. I’m not sure it even takes more than 100. Clearly the tension between Jem and Will and Tessa is the majority of the book. And just below that is the romantic tension between the secondary characters…

” ‘Life is a book, and there are a thousand pages I have not yet read. I would read them together with you, as many as I can, before I die–‘ “

Not all of Cassandra Clare’s books are that way. There’s always angst, but this trilogy in particular is full of the complications of love. Others are much more plotty. Clare writes some great plot twists, but very few of them can be found in Clockwork Princess. What can be found, though, is a sort of elegant exploration of love and all its complications. And through that, the largest weakness of this book–its overstated romantic tension–also becomes its main strength.

“Life was an uncertain thing, and there were some moments one wished to remember, to imprint upon one’s mind that the memory might be taken out later, like a flower pressed between the pages of a book, and admired and recollected anew.”

And if you’re only reading for the love story, you’ll appreciate this ending. The last 80-100 pages of this book lay plot entirely aside to explore how things turn out for our main characters after everything settles down.

My reaction: 4 out of 5 stars. Personally, I could have done with a little less angst. But the story between all the heartache was well done, and even the heartache had its moments. I admit I was wary of this trilogy when I read Clockwork Angel this year–I didn’t like it as much as I’d remembered, and I was afraid the rest of the series would feel the same; but the three books steadily improved, and I think the rocky start was worth reading just for this third volume. I believe there’s a spin-off series (also by Cassandra Clare) starting publication in 2018, and I’ll be keeping an eye out for that. I’ll also be continuing onward through the rest of the Shadowhunter works, including a read of City of Heavenly Fire in August, which will be another satisfying end, I hope.

Coming up next: I’m presently reading my classic of the month, Robert Louis Stevenson’s Treasure Island. Classics reviews only appear in my monthly wrap-ups, so you’ll find my thoughts on Treasure Island there, and my next full review will feature Ruth Ware’s The Lying Game. Ware’s book features a group of boarding school friends who’ve grown up and are dealing with an unexpected death, and the uncovering of lies they’d vowed not to tell each other.

Do you like starting a great series, or finishing it? There’s such a big difference between the anticipation of a great first book and the satisfaction of concluding the last one. While I liked the conclusion better in this trilogy, I think generally I’m a fan of first books–they excite me. Which do you prefer?

Sincerely,

The Literary Elephant

Review: City of Lost Souls

I started reading Cassandra Clare’s Shadowhunter books in January, and I’m up to book 7 in publication order. The next two are both end-of-a-series books (book 3 in the Infernal Devices trilogy and book 6 in The Mortal Instruments series) and now that it’s been about 7 years since I picked up a Cassandra Clare book for the first time I must find out how things are going to end. But I’m not quite there yet. I just finished reading TMI book 5, City of Lost Souls, and I enjoyed it even more than I expected to. No spoilers below for City of Lost Souls, but if you haven’t read the previous four books, from City of Bones through City of Fallen Angels, you’ll probably want to do that before continuing with this review.

cityoflostsoulsAbout the book: Jace is bound to the imposter Sebastian, who everyone knows is Valentine’s evil son Jonathon, though he doesn’t use that name. What’s new is that the dark magic used to bind Jace to “Sebastian” affects his motivations, and thus his actions. When Jace and “Sebastian” go missing from the rooftop Clary left them on, the Clave prioritizes finding them–but the Seelie Queen warns Clary that she might not find Jace in the same condition as she left him. When the Clave tires of searching, Clary and her friends continue not only to try locating Jace, but to thwart Sebastian’s plans entirely so that Jace can be pulled free and clear of the evil influence. This will require spying, lying, and brute force, in the end. Except just as Jace may have been changed by the binding magic, Clary might find a softer Sebastian than she was expecting. Is redemption possible for her brother? Or is it all an act, like her instincts are telling her?

“We’re meant to protect each other, but not from everything. Not from the truth. That’s what it means to love someone and let them be themselves.”

Although Clary and Jace were my favorite characters in TMI books 1-3, they’re becoming more frustrating in these later books. These aren’t exactly short novels, especially books 4-6, so the tension between Clary and Jace is getting a little drawn-out. They love each other, but there’s always some reason they can’t be together the way they want to be. I understand that some romantic tension is necessary to the series–no one wants to read about people being happy and everything going right all the time, and emotion is just as important to Clare’s Shadowhunter books as plot. But the reasons Clary and Jace are being driven apart are getting pretty weird and elaborate at this point, and I wish Cassandra Clare had found some other way to keep the tension alive than to keep planting variations of the same barrier between Clary and Jace. For much of this book, the sections in Clary’s perspective often looked more or less the same: the twisted but repetitive “I love him but I can’t be with him but I love him anyway so I must find some way to be with him” angst, while not much else was actually going on.

But Clary’s not all bad. For the first time in the series, Clary has some real Shadowhunter skill. It’s not just luck or conveniently timed ideas for creating new runes; in City of Lost Souls, we finally see some of Clary’s combat training pay off with learned maneuvers. It’s so good to see her as more than a damsel in distress, and as more than an odd, exceptional case of a Shadowhunter lacking the typical know-how. She’s finally starting to be notable for more than her stubbornness and parentage, which is a huge plus.

“You don’t need anyone’s permission to do anything. You’re Clary Fray. You go charging into every situation without knowing how the hell it’s going to turn out, and then you get through it on sheer guts and craziness.”

And yet, even though the plot is all wrapped up in Clary/Jace drama, some of the other main characters are becoming much more interesting in City of Lost Souls. There are some interesting developments between Alec and Magnus, Isabelle and Simon, Maia and Jordan. Maureen is creeping out from the plot shadows. Camille makes an interesting offer. Rafael refuses to be forgotten. And Jonathon/Sebastian is, as always, a wild card at best. I found some of these other character developments and smaller plot threads more interesting than Clary’s angst for about 3/4 of the book, although Clace did leave off in an interesting situation.

“He was like the ocean ceaselessly throwing itself against a rocky shore, and this Jace was… a calm river, shining in the sun.”

Clare is great at twisting characters so that you never quite know who is who or what they’re going to do next. You might think you do, but then Clare shows a whole other side to their character. Morally gray characters are so much more interesting than bland heroes and villains, especially these morally gray people who all have some connection either to heaven or hell that shapes them in uniquely powerful ways.

And I suspect it will just keep getting better in the final volume, when everything comes together at last.

“If you keep hope alive, it will keep you alive.”

“Battle was like a whirlpool […] Things came at you and then surged away so quickly that all one was really aware of was a sense of uncontrollable danger, the struggle to stay alive and not drown.”

There was also a bonus scene the end of my copy, which I read in conjunction with City of Lost Souls. The scene is called “Becoming Sebastion Verlac,” and features an inside look at Jonathon’s past. This scene disappointed me. No new information is provided through it, and there are no surprises or even points of intrigue. On top of that, it didn’t  quite match up with the commentary from the book proper. In City of Lost Souls, Jonathon tells Clary that when he encountered Sebastian Verlac he hadn’t expected him to fight back. In this scene, the real Sebastian is portrayed as a “trusting fool”, without the presence of mind even to be afraid before his death. Bonus content is always hit-or-miss for me, and this one was a miss.

My reaction: 4 out of 5 stars. Even though my feelings about Clary and Jace are cooling off, there’s more going on in this book than the usual penultimate-novel tension build-up. There are some unanswered questions left at the end though, which is making me more eager than ever to finally reach the end of this series. I’m invested in a lot of these characters now, and I can’t wait to see where they’ll all end. I haven’t actually read any of Clare’s series endings yet, but I suspect it’s not going to be a flat happy ending where everyone lives and evil is thwarted forever. Next in publication order is Clockwork Princess, but I want to get to City of Heavenly Fire soon as well, while this one’s still fresh in my mind.

Coming up next: I’ve also recently finished reading Emily Henry’s new release, A Million Junes, a YA magical realism romance. I’ve been reading a ton between the end of June and beginning of July, so I have a little backlog of reviews to work through, and lots of great reads on my TBR for July, so stay tuned. More Cassandra Clare reviews within the month, but first I can’t wait to share everything I loved about the ghosty Romeo-and-Juliet type story of A Million Junes.

Sincerely,

The Literary Elephant

Update: you can now read my full review of the next book in this series, City of Heavenly Fire!