CW: murder, graphic violence (including torture), rape (off the page), use of nuclear weapons, planetary destruction
Disclaimer: Instead of a regular review (since this is the fifth book in a series) I’m going to use the opportunity of having recently finished reading Pierce Brown’s Dark Age to talk about the Red Rising series in general, and why I am reading it. So, no spoilers, and maybe this’ll be interesting even if you haven’t read any of the books in the series.
There are a lot of different factors that can motivate me to pick up a book (of course), but one thing I’m always looking for in what I read is something unlike anything I’ve ever encountered before. A dystopian/fantasy with a male hero and themes of fighting for racial/social equality hardly sounds unique, but the Red Rising series has always possessed a certain level of grit that (in my opinion) sets it apart from similar stories of its genre(s). Despite a fair amount of casual sexism and ableism, which I find increasingly annoying as my reading taste shifts more toward feminism and female authors in general, Brown is the only author I read who can write a passage like this:
“I moan something in fear. There’s a lurch. A sudden pressure in my chest. He pulls away, his hand holding something red as he mouths a word dead to my ears.
Then he takes a bite of my heart.”
…and still leave me with room for doubt over whether this character is actually dead. Set thousands of years in the future, most of our main characters are Gold superhumans for whom surgery can fix almost anything that evolution has not already. There is a caste system, so the lower folk (lowColors) usually can’t afford to be fixed, and are worked to the bone by their superiors, but having a powerful friend can help even them. It really puts what is humanly possible and what is not humanly possible into a whole different realm.
Furthermore, I don’t believe I’ve ever read anything with such a wide scope. Red Rising begins on Mars, as overflow from Earth has long since required the populating of additional planets, but the plot is mainly confined to two limited locations (a Red mine, and the Institute). As the series progresses, the plot moves farther into space. By Dark Age, we’re following world leaders who govern billions of citizens and are conducting a war between “Rim” planets and “Core” planets (though in actuality there are more than two sides taking up arms in the fray); the action is taking place in so many different places- even on ships between the planets- that the plot is just huge. Dark Age clocks in at over 750 pages, and probably at least 25% of its language (I’m obviously guessing, but it’s A Lot) is lingo specific to this series. The perspectives we’re following grant us access to whole armies, governmental bodies, and rulers with the power to end or save millions of lives with a single command; but they also give us individual humans with distinct motivations and emotions to remind the reader that no matter how big a character might seem with all their power, everyone is small in the face of the universe. The focus is craftily balanced between the very broad and the very narrow.
“Some men can stare at their feet and pretend the world isn’t falling apart. I cannot.”
And of course, the plot is utterly unpredictable. This is always a boon for me, as I find myself more frequently disappointed by authors I’ve loved in the past as their style becomes familiar to me. This has not been the case with Brown. The betrayals are brutal, the deaths are either horrific and described in minute, gory detail, or so abrupt and easy as to be almost comical. It’s meant to entertain at an epic level, but also to resonate with our own sense of humanity and the modern world.
Speaking of the modern world, Brown engages more and more with current politics as this series progresses. Gone is the simple cry for equality, and in its place, we see a much more nuanced presentation of many world issues feeding into each other. One of the topics Brown tackles in Dark Age is climate change and planetary destruction. Of course, in his universe, artists/architects have molded the environments of uninhabitable planets not only to make them livable but to mimic Earth’s rotational speed and thus fit humanity’s preferred cycle of time. Which is a statement in itself. Following that, we see a major battle on one small planet in which a “natural” storm is produced by one army to gain advantage over the other. The person at the controls experiences a moment of crisis and considers that increasing the storm to wipe everyone from both sides off of the planet might be the best way to turn the tide of the war, and for humanity at large. In addition, nuclear bombs are dropped on the planet in the spirit of “if we can’t have it, no one can.” All of this seems designed to make the reader think about our attitude toward our own planet these days. Earth is not one of the main settings for Dark Age or the larger series, but I think the point is clear enough. And this is just one aspect of the larger story.
“The waves crash all around the roots of the building. Both were made by man. Perhaps at first in hope, to give our species a new home to live and to love. But in time, I don’t know when, their creation became a vanity of will, and in the shadow of that vanity, man grew lesser for having more. Lesser for mastering the keys of creation, because he mistook himself for god, and cared less for his people, and more that his works endured.”
“The worlds cannot afford a man who wrecks a planet simply to win a battle.”
Ultimately, Red Rising is a high-tech political space drama series with a Latin / ancient Rome obsession, reflecting on the future fate of humanity. It practically requires its own dictionary- none is provided. (There is a cast list, but it shows only the house each person belongs to, no refreshers on their politics or past deeds.) Everything about this series is dense and demanding. Red Rising, the first (and shortest) novel, is certainly simpler, but even in Golden Son (the second novel) we begin to see where Brown is heading, and he really runs with it. I appreciate the challenge.
This isn’t going to be a favorite series for everyone. It’s niche, and it’s hard work. I can’t even tell you whether loving Star Wars or other space sagas is a good indicator here, because I really don’t read/watch any other space stories at the moment (other than Saga, the only story I know of that seems remotely similar, though much more readable). And honestly, I’m not sure this overview is doing much in the way of persuasion, but it’s just not a series I would recommend to everyone. I could do the usual spiel of assuring you it gets better after the first book, but forcing yourself to continue if you’re not enjoying these books is unlikely to work in your favor. And you need a strong stomach to survive Red Rising. There are impalements, flayings, live dismemberments and such in this most recent volume alone, and Brown doesn’t spare any details.
Some specific (non-spoiler) impressions of Dark Age, for anyone who has read the book: I found it very slow to start, with a few great moments but mostly political catch-up; and yet Brown ramps up the action in the end. As in Iron Age, we’re seeing multiple perspectives to glimpse different facets of the war; if I had to pick one, I think Lysander’s chapters interested me the most consistently in this volume. I was surprised by the return of a character I thought was dead (I shouldn’t have assumed this person was dead). I couldn’t bring myself to worry about Darrow with one more book on the horizon. Virginia’s new adversary seemed ridiculous at first, but I’m intrigued to see where Brown goes with it. I’m very interested in the Ascomanni, though I thought Brown’s writing of this “fairy tale” element seemed the weakest part of the novel- it felt rather shoehorned in. I’m also loving the mystery of “Figment.” I was disappointed with the lack of Sevro scenes, though.
“All that will be measured, all that will last, is your mastery of yourself.”
My reaction: 4 out of 5 stars. This was probably my least favorite book of the series so far, but I think the fact that I failed to reread any of the others to refresh my memory before diving into Dark Age made the read more challenging and emotionally distant for me than any of the others have been. I’m really hoping to reread a couple of the earlier titles before Book 6 comes out, but I said that last time. And I’d love to do a full series read at some point when everything is published, but it would feel like such a huge undertaking that I don’t know when it might happen. But, as I’ve made it this far, I’m still on board to read the final book of the series! I’m just really hoping it’s the final book this time. If this series goes on any longer, it’s going to feel like drama for the sake of drama, and I’m going to lose respect.
Have you read any of the Red Rising series? What did you like or dislike about it?
The Literary Elephant