I cannot even count the number of people who have recommended this book to me over the years, or even the exact number of years I’ve been putting it off. But here is The Hobbit, my 77th book of 2017 (my goal was 73, so that was a happy realization), and my first foray into Tolkien’s oeuvre.
About the book: Bilbo Baggins is a hobbit. He lives a happy hobbit life in his hobbit-hole home under a pleasant hill. Hobbits are not usually adventurous, but when Bilbo finds himself hosting thirteen dwarfs and a wizard for tea one day, he learns of an adventure just beginning and finds himself swept along in it. The adventure is a quest– the dwarfs want to travel back to their old homeland, overthrow the dragon that has taken residence there, and thus reclaim their palace and treasure. They are each to be rewarded for their trouble with gold and silver and precious gemstones when the treasure is recovered. That is, if they can survive the harsh landscape and dangerous magical creatures they encounter along the way.
“…and they all felt that the adventure was far more dangerous than they had thought, while all the time, even if they passed all the perils of the road, the dragon was waiting at the end.”
Here we have an adventure story, arguably the quintessential adventure story, although Treasure Island could also make a good case for that title. As with many adventure tales, this book is largely episodic in nature, meaning a lot of small plots are strung together consecutively in one long linked chain. Knowing the gist of the quest from the beginning of the story helps combat the chaos of the journey, as does the narrator’s foreshadowing in places where the story seems prone to wandering (episodic tales are generally full of chaos and wanderings, and lack the typical rise and fall of tension that begins with a single problem, is faced with obstacles, finds its climax in some sort of confrontation and then resolves, whether for better or worse. In episodic tales, the tension rises and falls repeatedly through multiple climactic moments and resolutions). The Hobbit uses a mix of both main plot types by laying the episodic adventure over a traditional plot arc with gradually mounting tension.
“Now is the time for our esteemed Mr. Baggins, who has proved himself a good companion on our long road, and a hobbit full of courage and resource far exceeding his size, and if I may say so possessed of good luck far exceeding the usual allowance– now is the time for him to perform the service for which he was included in our Company; now it the time for him to earn his Reward.”
The best aspect of The Hobbit, as I saw it, was the narration itself. The tale is told from some third-person perspective that knows future and past, can see various characters’ thoughts and motivations, addresses the reader directly, and acts as a general all-knowing guide to Middle-earth. There is a time in the book when Bilbo Baggins is said to be writing a memoir, and I find myself attracted to the idea that Baggins himself is the narrator of this tale, relying on accumulated knowledge of magical creatures and the parts of the story that must have been told to him in order to present himself as a nearly omniscient narrator.
“I may be a burglar– or so they say: personally I never really felt like one– but I am an honest one, I hope, more or less.”
I was also fascinated by Gandolf. He seems to be a fallible creature, and yet he’s always in the right place at the right time, or in the wrong place at the right time so that things work out in a certain favorable way that they wouldn’t have been able to if he were present. He speaks of prophecy to Baggins, and though not much is discussed about it, I like to believe that he was so sure of Biblo’s skill and luck and general agreeableness due to some unmentioned prophecy. There is no other explanation given for his insistence on Bilbo Baggins accompanying the dwarfs on their journey, and for his surety that the hobbit is just the “burglar” they need. I would’ve loved to learn more about him, and I hope he makes a reapparance in the Lord of the Rings trilogy (I really don’t know anything about it, please don’t spoil me).
“If more of us valued food and cheer and song above hoarded gold, it would be a merrier world.”
The songs woven throughout the story are also highly entertaining, especially when the reader tries to put a tune to them while reading. 🙂
My reaction: 4 out of 5 stars. I really haven’t been in the mood for episodic stories lately, but there was just enough of a traditional plot arc to get me through this one. The quest is mapped out early, so I had no difficulty reading through all the small mishaps along the way to the Lonely Mountain, knowing that there would a battle for the treasure at the end of the tale that would give the journey purpose. I highly enjoyed Tolkien’s narrative style, and am definitely planning to continue with The Fellowship of the Ring, though I think I’ll wait until I’ve finished the Song of Ice and Fire series first to keep my fantasy details straight. I found a lot of little details in The Hobbit that reminded me of details from Martin’s series, and I wasn’t surprised– I would be more surprised if you could point me to a fantasy writer who wasn’t in some way inspired by Tolkien’s Middle-earth.
- The Chronicles of Narnia is a phenomenal adventure saga for readers young and old alike who area after fantastic journeys and magical creatures. The Magician King, by C. S. Lewis, is the first Narnia book (in chronological order, which I recommend), and it’s both easily readable and utterly engrossing.
- Neil Gaiman’s Stardust would be a great choice of fantasy for adult readers who are looking for something short and sweet and very reminiscent of The Hobbit. This one follows a boy who travels beyond the village of Wall to retrieve a fallen star for the girl he thinks he loves, and finds a whole world of adventure.
- I you’re not afraid of a long book, pick up George R. R. Martin’s A Game of Thrones. I know the size of the novels in his Song of Ice and Fire series are intimidating, but they are worth the time. There are some similar elements of world-building between Martin and Tolkien, although A Game of Thrones is much more political and character-driven.
- For more adventure stories without all the fantasy elements, try Robert Louis Stevenson’s Treasure Island, the story of a teenage boy setting off with pirates in search of hidden gold. There’s no magic in this one, but if you like the constant misadventures of The Hobbit and don’t mind learning some nautical terms, you’ll enjoy this one just as much.
Coming up Next: I’ve just picked up Cassandra Clare’s City of Heavenly Fire, the final book in the Mortal Instruments series. It’s immensely long and I won’t be finishing it by the end of the month (which is only a few hours away), but I’m eager to see how it all ends for Clace and Simon and the Lightwoods et al, so I’m predicting that it won’t take me long to finish this one.
The Literary Elephant