No mourners. No funerals. No spoilers. I finally, finally got back to Leigh Bardugo’s Six of Crows duology, and today I’m reviewing book 2, Crooked Kingdom. You should read Six of Crows first, though. In case you need more incentive, it’s a fast-paced YA fantasy with a great cast of misfit characters, plenty of sleight-of-hand and plot twists, and lots of feel-good one-liners about resilience and compassion.
About the book: The Dregs want their Wraith back, they want the money they were promised, they want safety for themselves and their hostage, and they want the power to choose their own futures. They’ve been crossed, and they’ll be crossed again, but only an idiot would cross Kaz Brekker and his crew and hope to get away with it. Even as the gang becomes the most wanted criminals in the world they refuse to give up hope and they keep fighting for better days. But what can six lost souls do when Ketterdam itself seems to rise against them?
“He often wondered how people survived this city, but it was possible Ketterdam would not survive Kaz Brekker.”
“None of them really knew what Kaz would or wouldn’t do. Sometimes Matthias wondered if even Kaz was sure.”
I’m probably in the minority about this, but I actually preferred Six of Crows to Crooked Kingdom. I thought the sequel would take this duology to new heights, but where Six of Crows constantly surprised me, Crooked Kingdom was exactly what I expected. I suppose it makes sense for books in a duology to be this well matched, but I was hoping for a bit more… chaos. A bit more uncertainty about who would win. Crooked Kingdom ties the loose ends from Six of Crows together, but it’s more predictable about it.
“I would come for you. And if I couldn’t walk, I’d crawl to you, and no matter how broken we were, we’d fight our way out together– knives drawn, pistols blazing. Because that’s what we do. We never stop fighting.”
Crooked Kingdom is more episodic than its predecessor, which isn’t a bad thing in itself, but I find episodic tales (especially of this length) somewhat exhausting after a fashion. The plot twists are less thrilling because you’re expecting them, and the big shocks are less shocking because you know which parts are just for show. It gets a little tiring, knowing that everyone (or at least Kaz) knows what’s going to happen next, and you (the reader) are being left out for the dramatics of the narrative. In the first book, it made sense for Kaz to play his cards close and test the loyalty of his friends by leaving out some of the details. Now, there’s no reason for trust issues and the reader knows things won’t go as planned, so why not let us in on the plans?
“Well, Brekker, it’s obvious you only deal in half-truths and outright lies, so you’re clearly the man for the job.”
Perhaps because of that deliberate manipulation of information, my favorite parts of this book were the flashbacks– the backstories about Wylan leaving home, Jesper’s relationship with his parents, Inej’s experience at the Menagerie. It’s incredible to see the things that made these characters so strong. It’s also incredible to see their dreams for the future. For a band of criminals, they have some lofty goals; their rough pasts and hopeful futures make their criminality more a matter of necessity and survival than the sort of evil bullying they want to snuff out. The characters are the best part of this duology, and seeing their humanity through the flashbacks and future goals they’re all harboring gives them so much more color than the impossible feats they’re trying to pull off in the present.
” ‘That’s where you’re wrong,’ said Kaz. ‘I don’t hold a grudge. I cradle it. I coddle it. I feed it fine cuts of meat and send it to the best schools. I nurture my grudges, Rollins.’ “
Let’s talk for a bit about fiction. About how much harder it is to believe that the Wraith can enter a room with locked doors and barred windows, can walk a high wire with no safety net, that the bastard of the Barrel can plant or pickpocket anything on anyone without their noticing, etc. when you can’t actually see the tricks. It’s easier to write about sleight of hand than to perform it– but for the most part Bardugo makes the Dregs’ tricks seem plausible; the fact that they occasionally fail helps with that. But some parts of this books till seem… fictionalized. Manipulated. Written the way that they are because of reader expectations rather than natural facets of character. I know I’m being very vague, but I don’t want to spoil anything. Let me just say that something bad happens toward the end of this book, and I hated it not because it was bad or sad or less than ideal– I hated it because it felt unnecessary. Because it felt rushed and fabricated. Like Bardugo thought the ending would be too happy without something going wrong, so she had to throw an extra punch at the victors for good measure. I would’ve found the ridiculously happy ending more believable.
“But what about the rest of us? What about the nobodies and the nothings, the invisible girls? We learn to hold our heads as if we wear crowns. We learn to wring magic from the ordinary. That was how you survived when you weren’t chosen, when there was no royal blood in your veins. When the world owed you nothing, you demanded something of it anyway.”
But don’t let my minor complaints fool you. Though I appreciated the finesse of Six of Crows more than the flash of Crooked Kingdom, the second book is still a phenomenal read. If you’re only going to read one YA fantasy set, let this one be it. It has so many good messages about finding (or fighting for) your place in the world, about demanding more than the crap the world deals you. The Grishaverse is bright and beautiful, the Dregs are dirty heroes out for justice rather than revenge, and the writing is imaginative and even occasionally poetic. This is the kind of story that inspires my own writing, and despite a few choices I would’ve made differently with Crooked Kingdom, I can’t recommend this duology enough. (Perhaps even because I would have chosen some things differently– it’s educational to read something you don’t agree with one hundred percent.)
“The world was made of miracles, unexpected earthquakes, storms that came from nowhere and might reshape a continent. The boy beside her. The future before her. Anything was possible.”
My reaction: 5 out of 5 stars. I had a fantastic time reading this book and I’m definitely going to pick up The Language of Thorns soon for more of Bardugo’s imaginative writing. I’ll probably keep an eye out for future Bardugo publications as well. I’m not as interested in reading her edition of Wonder Woman just because I’m not as interested in reading that whole superhero series, but the Six of Crows duology is such an improvement from the Grisha trilogy (which I though was also good, but not this great) that I’m definitely interested in seeing where Bardugo goes from here.
What’s your favorite YA fantasy?
The Literary Elephant