I have had a superb writing month.
In my last writing update, I talked about being stuck in the third chapter of my book, and about wondering when it’s an appropriate time to modify writing goals if the original goal just isn’t working. In the month since then, I finished editing chapter three and it’s currently my favorite chapter. Once I let myself focus on the story instead of the word count, it was much easier to approach the work and make productive progress, and in the end I was only 30 words short of my original 10,000 word count, which is about 970 words more than I was afraid I would end up with. In addition, I worked through most of chapter four (of nine) as well.
Chapter four is one that still had some narrative holes this time around. When I opened up chapter four this month, it had 8k of 10k words, which meant that before final edits, I had some more writing to do: my first substantial writing jog on this project since I started working my way through my manuscript in chronological order. It was a nice change to get back into pure creating, though it does mean that even though I’ve gone through the entire chapter once to do a rough edit and fill in the missing content, I will have to go through the whole thing one more time as a whole.
It should maybe feel like a lot more work since I’ve only had to edit the last three chapters without generating new content, but this chapter was written more recently and thus was more polished to begin with. I approached it just as rigorously as the first three chapters, combing through sentence by sentence, but overall there were just less edits to be made. Also I had good notes already in place for the content that needed to be added, and it was nice to have a little change of pace with the project. I have more editing ahead of me on the final trek through chapter four, but I know I’ll be getting back to writing in section five again. The alternating is keeping me on my toes. Figuratively.
So, where do I stand.
Right now in section 4 I need about 500 more words, but I’ve got the basis of the missing part worked in so it should be easy to work in those last 500 words as I expand the new content a little more. I’m pleased with about 2/3 of the chapter at this point, but I’ll read through it all (making any more minor changes along the way, of course) so that I have a good lead-in to edit the last 1/3 that still needs some work. I’m planning to finish with the 500 missing words today, and from there I expect the editing and final read-through of this chapter will take only another day or two.
But I do have a busy week outside of my manuscript so I’m not giving myself an exact schedule to follow. I find that exact schedules make me feel boxed in and when I fail them it sours the whole project so I’m trying to keep myself going at whatever pace feels the most productive on a day-by-day basis.
It’s always exciting to reach the end of a chapter and feel like there’s a whole new section complete, but chapter four is especially exciting to me to finish because it’s so close to the halfway point (half of nine chapters is 4.5, so halfway through chapter five I’ll hit it). I’ve been over and over the first three chapters of the book in the last year and a half, and it’s so exciting to put them on the back burner, safely out of the way, and to move into the second arc to the story (each group of three chapters has its own arc inside the main plot).
One more thing I want to talk about in this update: reading for writing.
For several weeks as I struggled through the end of chapter three and then changed pace for the new arc in chapter 4, I’ve been reading Margaret Atwood’s The Blind Assassin. This has been the perfect book to read at this point of my own novel, especially as I’m getting back into the writing parts of it rather than just the editing. Atwood’s prose is so… visceral, colorful, metaphorical… She uses so much imagery and makes such unique connections that reading her work inspires me to add to the atmosphere of my own manuscript. I know I tend to err on the side of writing action and inner conflict, so reading something so sensory has been a great reminder to describe things a bit more and pull the reader into the world of my story. Different things help me with different aspects of my writing, and often I don’t know how they’ll help until I’m in the middle of them. This is part of the reason I try to read so widely– it’s surprising what can motivate you.
What do you read for writing inspo? Or have you had any writing break-throughs lately? I love hearing about the ups and downs of everyone’s writing process!
The Literary Elephant