a lit-el forecast


What a week! We wrapped up crop planting on the farm yesterday, and it was a hectic last few days. Honestly I think the only reason I managed to post this week was thanks to having a couple of solid drafts saved in advance. In The 365 updates are a couple more planting photos, including the tractor and planter in action, and the seed tender I’ve been ferrying around. That’s been my main role this planting season- I take the seed tender, attached to a pickup, to the farm supply place to get it filled up with seed (which is what’s happening in the photo) then I drive it out to whichever field is being planted, to go into the planter. And repeat. The main challenge for me with this is that I often have to back it into the field approaches, which is… not fun. But at least it’s in good working order! In contrast…

The last photo of this batch is the interior of another pickup we use (sparingly) for farm errands (I had to drive it at night this week, hence the bad lighting), and this one’s interesting because it’s older than me. (The dust buildup is actually not that old, it’s just the product of driving on gravel roads with the windows down.) You may be able to spot the little wrench in the bottom left of the dash that now controls the wipers, and at the top of the photo, the missing rearview mirror. (Its glue gave out suddenly. It’s temporary.) The air conditioner hasn’t worked in ages, which is mostly fine if you drive with the windows all the way open in summer, but this is the reason the passenger window got stuck all the way down in the door last year. That just got fixed this spring, so over the winter there was much appreciation for the heater that seems to run hotter every year- it could probably heat hell. I’m sure it’s fine. The fuel gauge is stuck on F until it suddenly flatlines on E, so we always keep a couple spare gallons in the backup tank. The high beams are controlled with a peg on the floor. I’m pretty sure there are no airbags, but the thing is like a tank. This is the vehicle I learned turn signals in, helping my dad make a light repair when I was small enough my feet didn’t reach the floor.

Cat of the Week is Fuji, an eight month-old black and white kitten who’s been uber friendly since day one. The story here is that Fuji had/has a sister who looks similar and is also uber friendly, who seems to be living four miles down the road now with a neighbor who mysteriously denied knowledge when asked. I suspect they just loved her too much to return her, which makes perfect sense. If I didn’t have so many cats I might be bothered, but I know they’re good cat caretakers we’ve gifted farm cats to in the past, and Fuji seems perfectly content with her other feline friends here so I’m choosing to be amused. Bonus appearance: Matchy being stealthy in a box!

My week in film:

  • Outlander ssn 4 [2018-2019] – I actually only watched the last two episodes this week; I’ve been slowly working my way through this season for about a month. As someone who was once a big Outlander fan (I binged all of the books about five years ago and got in on the first season of this TV adaptation) I have to admit this season was awful. It’s been trending downhill for a while, but this one was all-around cringe and horror. It’s set in colonial America, shortly before the revolution. So of course, Native Americans are being driven out of their lands, slavery is running rampant, and misogyny is everywhere. This season sits in a really uncomfortable position of striving for ~historical accuracy~ while also prominently featuring a more modern character (this is a time travel narrative) who tries to live by the morals of her own era but doesn’t believe she can make significant changes in a time period that is, for her, history. There’s a lot of racism here, including some truly bad choices made by the MCs we’re supposed to sympathize with. Slurs are used throughout this season, particularly against Native Americans. And this is all before we’ve even mentioned the terrible handing of a rape plot that goes from bad to worse when it’s used as a sort of plot twist, featuring a major misunderstanding in which people are blamed for things they couldn’t have known and then are dramatically forgiven for misunderstanding while the violence at the heart of the mess is never challenged. I’ve already been gifted season 5 (hence suffering through all of 4), and I am still curious about a few of the time traveling aspects of this series, but most of the published material is also set during these early years of the United States so I may have to abandon ship.

My week in books:

  • Consent by Annabel Lyon – 4 stars. This was a fun, almost literary-thriller type read that I initially thought would be a 5 for me, but as I’ve sat with it and started drafting my review I’ve bumped it down to 4. I had a few personal dislikes that I’ll cover soon in a review, but on the whole this book did a lot that I liked, with imperfect but vibrant characters who lead the reader through some interesting conversations around various forms of consent, utilizing sharp prose and including a number of twists that keep the plot interesting even though I’d call this more of a character or theme study.
  • Unsettled Ground by Claire Fuller – ongoing. I’ve got an eARC courtesy of Netgalley for this next Women’s Prize read, and though reading digitally tends to go a little slower for me I am enjoying this. It’s very atmospheric, which is something I particularly enjoy, and I appreciate the topics of poverty and dependence that this is digging into, though I’m not sure that’s going to be quite enough for me in the end. It’s just lacking a bit of spark. But I’ve still got about half left to go, so nothing’s certain yet!

My week in posts:

Plans for the upcoming week include sharing my review of Consent, and possibly Unsettled Ground. I’ll definitely finish that book soon, but I’ve got another of Fuller’s titles on my shelf from BOTM (and catching up with BOTM is one of my top 2021 goals) that I’m tempted to read for some sort of joint review (which would mean taking a few extra days before I’m ready to review). But whether I want to delay other reading projects to dive right into another of Fuller’s books will probably depend on how I’m feeling about the rest of Unsettled Ground. Stay tuned to find out whether it’ll be a single or double review. After Fuller, I’ll be reading Detransition, Baby by Torrey Peters.

On the subject of upcoming plans, I want to share here my TBR for the rest of May, which I’ve assembled largely in honor of Asian American Pacific Islander heritage month. There’s also a whole Asian readathon going on throughout May that I encourage you to check out here if you’re interested in readathons and/or expanding your Asain and AAPI reading; even if you don’t want to join, Cindy’s put together a page on Storygraph with tons of Asian reading recommendations, by genre, country, and a few other great categories as well, if you need any reading inspiration! Personally I am not reading regularly enough at the moment (and am determined to complete my 2021 Women’s Prize journey before starting anything new) to commit to a community activity with specific prompts and a deadline (though I’m sure you’re welcome to commit to as much or as little as you can handle!). But I do want to make sure I’m supporting AAPI writers with my reading and reviews, so even if I don’t quite get to all of these within the month they will stay on my 2021 TBR to help hold me accountable:

  1. The Pull of the Stars by Emma Donoghue – starting off this list with the one title that’s not Asian or Asian-American reading; in honor of the Women’s Prize shortlist a couple of weeks ago, the Women’s Prize Squad (Callum, Hannah, Marija, Naty, Rachel, Sarah, and I) put together a little shortlist of our own based on 2021 WP eligibility rules. Last year we assembled a whole longlist, but agreed on a shortlist for 2021 in which each of us added any 1 book we would’ve liked to see shortlisted, drawn from the entire pool of 2021 eligible books whether they were officially longlisted or not. It’s a bit of fun for trading favorite books or most anticipated reads with each other, and I’m very excited about this list so I will be reading each of the titles and doing a round up at the end as I did last time. 2021’s Women’s Prize Squad titles include: Transcendent Kingdom by Yaa Gyasi, Luster by Raven Leilani, The Glass Hotel by Emily St. John Mandel, If I Had Your Face by Frances Cha, The Mermaid of Black Conch by Monique Roffey, We Are All Birds of Uganda by Hafsa Zayyan, and The Pull of the Stars. This one’s an Irish-set historical fiction following a nurse during the Spanish Flu outbreak as she works on a ward of quarantined expectant mothers. Everyone seems to love this, and I’ve had great experiences with Donoghue books in the past, so I have high hopes.
  2. If I Had Your Face by Frances Cha – Also from our Women’s Prize Squad list and doubling as an AAPI read, I’ve just gotten this one in from the library. The blurb calls this story: “A riveting debut novel set in contemporary Seoul, Korea, about four young women making their way in a world defined by impossibly high standards of beauty, secret room salons catering to wealthy men, strict social hierarchies, and K-pop fan mania.” I am hoping for some great characterization and a nuanced dive into the strengths and pitfalls of modern Korean culture.
  3. Imposter Syndrome by Kathy Wang – Because I live in the US it’s important to me to focus some of my Asian reading on Asian American authors and characters, and this sounds like a fun one. It follows a white woman who’s worked up the ranks of a Silicon Valley startup, thanks in part to the Russians she spies for; our other main character is a Chinese-American woman farther down the company hierarchy who discovers the espionage. It sounds techy and mysterious, and brimming with potential for social commentary.
  4. Against the Loveless World by Susan Abulhawa – this is a Palestinian-based story I’ve heard such great things about, thought we might see on the Women’s Prize longlist this year, and anyway have been wanting to read for months. It follows a woman born to refugee parents, who is made a refugee herself when the US invades Iraq. It’s not until she lands in Israeli-controlled Palestine that she is able to make a home for herself. This sounds like an incredible exploration of identity, and conflict in the Middle East.
  5. Territory of Light by Yuko Tsushima, translated by Geraldine Harcourt – I wanted to up my intake of translated lit this year, which has somewhat fallen by the wayside in recent months as I’ve struggled to read much of anything in any sort of timely manner. But here’s a short Japanese novel depicting new motherhood in the face of failed marriage, said to include some deep underlying tension juxtaposed with incredibly beautiful descriptions of light. Shoutout to Ellen’s book recommendations tag post for reminding me that I need to read this one!

And just for fun, here are a few further Asian and AAPI recommendations for anyone in need, all of which have been favorites and/or very memorable reads for me:

Have you read any of these books, or have a top-notch Asian- or AAPI-authored title you want to share? Let me know in the comments below!

The Literary Elephant

20 thoughts on “a lit-el forecast”

    1. Oh, that’s interesting! I’ve definitely been having a harder time keeping up with reviews the last few months so I think I’ve only seen a fraction of the reactions I normally would, but what I have seen for The Pull of the Stars has been so overwhelmingly positive, I wasn’t really aware at all that there was contention!

      Liked by 1 person

      1. Maybe it’s just the reviews I happen to read! I’ve seen a lot of complaint about the lack of dialogue tags (which I had no problem with) and the ending (which I thought I would have a problem with, but didn’t!)

        Liked by 1 person

      2. I’m very curious about the ending now! But missing dialogue tags don’t tend to bother me so hopefully I’ll fare as well as you did. Luckily I think the reviews I have read have been from readers whose opinions I often share, so I’m hopeful!

        Liked by 1 person

    1. Thanks! Consent is such an interesting read, definitely one of the longlisters I’d still recommend picking up even without a shortlisting, if it piques your interest.

      Liked by 1 person

  1. I really hope that you enjoy Territory of Light! It was a big hit for me.

    I am participating in the Asian readathon this year and my plan, which is going well so far, is to only read books by Asian and AAPI authors in the month of May. I did the same thing last May and it was hands-down my best reading month out of the whole year. I second your recommendations for The Vegetarian, How We Disappeared and Pachinko! I really must read Know My Name soon – I have heard such incredible things. To add a couple of my own recommendations to the list, a few that I personally really love are A Tale For the Time Being by Ruth Ozeki, The Housekeeper and the Professor by Yoko Ogawa (my favorite of hers), Do Not Say We Have Nothing by Madeline Thien and Our Dining Table by Mita Ori (which is an absolute warm hug of a manga). There are so many amazing books though!

    The Women’s Prize squad sounds so fun and I love the sound of the shortlist that you guys came up with! I really would have loved it if If I Had Your Face had made the longlist/shortlist, so I am excited for you to read it.

    Also, Fuji is adorable and reminds me so much of my little cat, who has similar Batman-esque markings on her face.

    Liked by 1 person

    1. I’m so looking forward to Territory of Light! πŸ™‚

      At the beginning of the year I always have such good intentions of following certain reading months, but inevitably reading projects collide and mess up my timing, haha. It is so encouraging to hear that Asian/AAPI reading month was your top reading last year though! Perhaps next year I’ll be more organized… There are some EXCELLENT books by Asian and Asain/American authors, indeed. I highly recommend Know My Name, when you have the chance! And I think all of the titles you’ve mentioned as recommendations (thanks for adding to the list!) are on my TBR, except for Our Dining Table, which I’ll have to check out.

      The Women’s Prize and its community of readers really has become one of my favorite bookish things over the last few years. It’s such a great framework for talking with other readers about all sorts of books, the ones that made the cut and the ones that didn’t! And I’m glad to hear If I Had Your Face was such a strong read for you, I’m really excited to get to it!

      Aw, I love your cat from that description alone, I really adore the Batman markings (great comparison, btw)! I don’t come across that look very often but I think it’s so silly and cute. πŸ™‚


  2. Your list there at the end looks great – every book on it that I’ve read has been one I’ve really enjoyed. One of my recent books, Satellite Love, is a great debut from an Asian-Canadian author. And I’m reading a non-fiction from a Canadian about his Scottish-Canadian grandfather and Japanese-Canadian grandmother during WWII that is really good so far.

    Liked by 1 person

    1. Thanks! I’m glad to have my recommendations vouched for. πŸ™‚ And I do recall Satellite Love- your review made it sound so good that I had to add it to my TBR!

      Liked by 1 person

  3. I like your alternative shortlist! I am not going to read it, but We Are All Birds of Uganda has been on my radar for a while. And yes, Fuji is adorable, quite a unique pattern on the face.

    Liked by 1 person

    1. Thank you! We Are All Birds of Uganda sounds really good, I was actually kind of surprised not to see it on the official longlist.
      I have one older cat with a similar face to Fuji’s, but before owning them I’d never seen that pattern before!

      Liked by 1 person

  4. Great recommendations – thank you for pulling together that list! I loved Territory of Light last year (it really pulled me out of a pandemic-induced reading slump) so I hope you enjoy it too. Looking forward to your upcoming reviews, and I hope you have a great reading week πŸ™‚

    Liked by 1 person

    1. Thank you! πŸ™‚ Territory of Light sounds right up my alley, I’m really looking forward to getting to that one soon! I’m so glad to hear that it worked so well for you. And I hope your reading week is going well also!


  5. I’m pretty sure that’s not a truck you’re driving, but a wreck waiting for the crash. πŸ˜‚

    I haven’t read a lot of AAPI lit lately, though I did just start Lucky Boy by Shanthi Sekaren. It’s set in the U.S. but is by an Indian-American author with Indian and Mexican characters.

    I’m more likely to watch Asian and PI movies; Netflix has loads of them, especially in the horror genre, which adds layers of fun when you have something like Thai horror meets American eyes.

    Liked by 1 person

    1. Lol, for all the inconveniences, it’s a surprisingly reliable ride!

      Nice! I don’t think I’ve come across that title before. I am still on the lookout for a great Indian and/or Indian-American book to add to my recommendations list.

      Oh, that’s good to know! I don’t watch much but Netflix is the one subscription service I hold on to and I do like horror. I finally watched Parasite last year (Korean thriller/satire, I believe, though not on Netflix) and LOVED it, so it would probably be a good idea to seek out more Asian films!

      Liked by 1 person

      1. Parasite was great, as is Train to Busan. Apparently, they’re going to remake Train to Busan in the U.S., and someone on Twitter noted that the U.S. doesn’t have reliable, regular transportation between major cities and asked, “What are they going to make, BART through Chicago?!”

        Liked by 1 person

      2. Ah yes, I do want to watch Train to Busan! I’ll definitely be watching the original- I think there’s been a lot of backlash about that remake, and “Americanizing” foreign films in general; why not just put some subtitles on and enjoy the original cast and production? A remake seems a bit like a racist moneygrab, although that is a hard line to draw because adaptations can often be fun and draw more attention to the original under the right circumstances, too.


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