CW: suicide, murder, gaslighting, racism, homophobia, fatphobia, cruelty to hospital patient, cancer
Almost a year after I started, I have finally finished reading the Bill Hodges trilogy, which concludes with End of Watch by Stephen King. For more thoughts on the trilogy, you can check out my full reviews of the previous books, Mr. Mercedes and Finders Keepers, though I’ll also do a small series wrap-up below. It should all be spoiler-free, except any characters mentioned at this point have obviously survived books 1 and 2, etc. All in all, I see End of Watch as a fair conclusion to the series, though it failed to live up to the promising start of the trilogy for me.
In the novel, Hodges’s old partner on the police force calls Hodges in on a case that looks like a standard murder/suicide. One of the deceased was also a victim of the Mercedes Massacre (an intentional hit and run at a job fair), a case Hodges helped close. Though the police don’t want to look further into these new deaths, some strange clues lead Hodges back to Mr. Mercedes- aka Brady Hartsfield- at the brain injury ward of the local hospital. But is Brady still impaired? There have been some rumors on the ward that he might be faking, that strange things have been happening around him. Has he found a way to keep killing without leaving his room? And if so, how can anyone stop him?
“Dead people never look more dead than in police photos.”
Right away I was much more excited about the premise of End of Watch than I had been about book 2, because this final volume harks back to the Mercedes Massacre in a big way- an element I enjoyed in the first book and found lacking in the second. In End of Watch, we see into Brady Hartsfield’s disturbed mind once again as he attempts to resume murdering the citizens of this trilogy’s unnamed Ohio city. Furthermore, we see King return to his well-known sci-fi/horror brand in this volume rather than sticking strictly with a PI/police style mystery as in books 1 and 2. Everything boded well for me to enjoy this one.
Though ultimately I did like the basic plot and the return to some of the trilogy’s earlier threads, it just didn’t quite come together here as well as I’d hoped based on the similarities to Mr. Mercedes. In the first book, Hodges becomes freshly involved with the hunt for Mr. Mercedes for close personal reasons- Hartsfield comes after him purposefully, trying to capitalize on Hodges’s depression to goad him into suicide; in End of Watch, Hodges’s involvement in the latest case is less exciting: meddling has become a habit, and with his health coming into question he’s looking for closure (how trite). Additionally, a common issue for me with King’s work (more pronounced in some stories than others), is the ease with which the characters manage to jump to the right conclusions. They stumble upon the answers they’re looking for, or somehow know just where to look. They make no wrong turns. Intuition runs high, and actual detective work remains minimal. I found this particularly problematic in this trilogy as a whole, which purports to be a crime mystery series, but specifically it seemed most pronounced in End of Watch.
I also had some of the same complaints with this final book as I did reccently in Finders Keepers; though the writing seemed a bit more considerate towards marginalized characters, there are still a couple of racial and homophobic slurs in use, fatness is shown as something to be ashamed of, and women are fairly insignificant. Most of these annoyances come up in the killer’s thoughts and dialogue, which supports the possibility that they are knowingly used for characterization rather than an indicator of the author’s personal opinions, but I found them distasteful nonetheless. Fortunately, it’s toned down a bit from the last volume, at least.
The most worrisome element for me in End of Watch was the extreme emphasis on suicide. The National Suicide Prevention hotline is mentioned both in the text and in an author’s note at the back of the book, but I would still caution anyone sensitive to this topic to enter with caution, if at all. Though we see in book 1 how effective Hartsfield can be at persuading his victims to kill themselves, that’s only one small stepping stone in Mr. Mercedes whereas it’s the main conflict in End of Watch. Not only do several teens and young adults attempt (and mostly succeed at) suicide, but we see Hartsfield maliciously whittle down their self-esteem to convince them to do it. He capitalizes on anything these characters have been bullied about- their weight, their sexuality, their intelligence, etc. It’s plenty unsettling to see these young and vulnerable people taken advantage of in this way, and also a bit concerning that many of the characters who are victimized are the “misfits”- not straight, white, thin, and pretty. It’s difficult to say whether King meant to emphasize how difficult life can be for bullied teens, or whether he simply found them the most expendable.
“Four in the morning is usually an unhappy time to be awake. It’s when unpleasant thoughts and pessimistic ideas come to the fore.”
All in all, a mixed experience. I enjoyed the sci-fi element and was suitably horrified by the villain’s capabilities and intent; I found the plot solid if a bit convenient and predictable. The thematic focus seems to shift towards the importance of found family and supporting one’s friends, but I don’t pick up Stephen King novels for wholesome morals; they feel gimmicky to me amidst the grisly deaths and psychological terror. End of Watch, like the rest of this trilogy, isn’t really a book that’s meant to teach- it’s pure entertainment.
Was I entertained? With Mr. Mercedes, the answer is a whole-hearted yes. I thought the plot was well-crafted, the characters strong and interesting each for their own reason, and the writing acceptable. (I did read it almost a year ago, so it’s possible I just didn’t pick up on as much or don’t remember it as clearly.) With Finders Keepers, I was entertained, but I spent a decent portion of my reading time marveling over how bad that book seemed, so I wouldn’t say it was an entirely positive sort of entertainment. I liked the concept, but didn’t think much of it was executed well. With End of Watch, I’m not sure I can say I was entertained. The trajectory of the novel seemed obvious to me from early on, so I spent most of the read just waiting for the big showdown I expected at the end to arrive.
Across the entire series, my favorite elements were 1) seeing the Mercedes Massacre from every angle- its conception, its execution, its aftermath. I thought King did a great job of conveying how far-reaching a tragedy like this can be for a community, and at every turn it felt woven into the fabric of these characters’ lives. And 2) the main characters. I feel the need to caveat though that I appreciated them more early on, as they were still morphing into the people they would become. But watching Hartsfield deteriorate? Watching Holly stabilize and find her independence? Seeing Jerome succeed in school and save the day in his spare time? These are the moments I’ll remember from this trilogy, and the reason I’m still interested in reading further about Holly in The Outsider (and potentially in the upcoming If It Bleeds), despite some dissatisfaction with King’s style of late.
Final ratings: Mr. Mercedes – 5 stars. Finders Keepers – 2 stars. End of Watch –
My reaction: 3 out of 5 stars. I wanted to like this one so much after my dismal experience with Finders Keepers, but sadly it never seemed more than fine. Still, I’m glad I took the time to see where the storyline from Mr. Mercedes went in the end, and this trilogy certainly gave me some food for thought in my journey through King’s work. And, honestly, it’s just so nice to finish something! I feel like I’ve gotten worse in recent years about starting series and reading projects that I take forever to finish, if I ever do. And if my possible buddy read pans out, I’ll be knocking out The Outsider soon as well, the Holly spin-off. Progress is being made.
Thanks for bearing with me this far if you’re still here. I know this has turned into a particularly long and meandering review. It was probably a mistake deciding to finish this at 1:30 am.
The Literary Elephant