This was the first year I’ve followed along with The Morning News’ Tournament of Books, and as I’d already read the winner (My Sister the Serial Killer– so glad it won!) and its top contender (Warlight– so glad it didn’t win!) I decided to pick up last year’s winner. Samanta Schweblin, also longlisted for the Man Booker International this year for a newer release, wrote last year’s ToB winner, Fever Dream.
In the novella, a mother and her young daughter have taken a trip to the countryside. They’re staying in a rented house in a small village, where they meet a local woman who shares an odd story about her son. The two children play together, much to their mothers’ fright, but the disaster that occurs soon after can only be linked to the boy’s strange past by those willing to walk the line between reality and impossibility.
“Where is Nina? What happens at the exact moment? Why is all this about worms?”
The book opens on a conversation about a sensation of worms in the body. Our narrator (the woman on vacation) is already lying in a hospital bed at the local clinic, in critical condition. She is speaking to David, her new acquaintance’s son, who may or may not actually be present. Together they discuss the events of the previous few days in an attempt to locate the “exact moment.”
This is more or less all I can say with certainty about the story, as much of it is confusing and mysterious and left to the reader’s interpretation. Which, honestly, is just the way I like it. I became so engrossed in this little book that I finished the whole thing in one sitting, through which I maintained such a level of concentration that I forgot to tab quotes or make any review notes or any of those other reading-adjacent tasks I normally do. There are no chapters, and no breaks in the narration as the story races to its conclusion, but it’s compulsively readable and the constant need to know more about the situation drives the reader ever onward. Perhaps best of all, the ending is not a clarification and the reader is given the chance to draw their own conclusions.
“Why do mothers do that? … Try to get in front of anything that could happen- the rescue distance.
It’s because sooner or later something terrible will happen. My grandmother used to tell my mother that, all through her childhood, and my mother would tell me, throughout mine. And now I have to take care of Nina.”
Thematically, I would say this is a story of family; of what we would do or risk for those we love, and whether those choices are worth their cost. Our narrator constantly calculates a “rescue distance” to ensure her daughter’s safety- the length of time it would take her to reach her daughter at any given moment, should disaster strike. But in the end, horror can strike in any place, at any time, no matter how near your child may be, as both women at the heart of this story discover.
There’s also a striking bit of commentary here about the difficulties of raising children (or living at all) in areas with environmental dangers (whether they’re natural or caused by humans), especially in scenes where our narrator notices local children with deformities and calls David “more normal” than the other children his age, despite what she’s been told of his history.
David was the only element of this book that held me back from a 5-star rating- I found his dialogue a bit jarring and grating at times, and would have appreciated fewer interjections from him throughout the story. I didn’t have any trouble remembering he was there or the conversational format through which this story was being told- I simply didn’t need the constant reminders. But this was a small issue; overall I loved Schweblin’s writing and her command of this completely bizarre story.
It’s a challenging puzzle of a read, one I would love to have spoiler discussions about because I think there are several options to choose from in trying to piece together what has actually happened to these characters. I wasn’t sure what to think when I first closed the cover, but I appreciate books that keep me thinking after I’ve put them down, and after much consideration I’ve formed some opinions. Even so, I will probably want to reread this soon; I think Fever Dream would be one of those excellent stories with as much (or more) to offer the reader on a second pass as the first time through. If you’re a reader who is routinely disappointed or even annoyed by predictable plots, Fever Dream may be the book for you. It’s atmospheric, eerie, and utterly engaging.
“I don’t want to spend another night in the house, but leaving right away would mean driving too many hours in the dark. I tell myself I’m just scared, that it’s better to rest so tomorrow I can think about things more clearly. But it’s a terrible night.”
My reaction: 4 out of 5 stars. Some of my favorite books this year have been mysterious/experimental novellas- Ghost Wall, My Sister the Serial Killer, and now Fever Dream. This wasn’t quite a top favorite forever-love read, but it did confirm that I must read more of Schweblin’s work, probably starting with the Man Booker International nominee Mouthful of Birds (which I think is the only other title she has published that’s been translated into English?)
What’s the weirdest book you’ve read this year?
The Literary Elephant