I have another Penguin Modern review for you today. This is the first volume I’ve read that highlights fiction: it’s Shirley Jackson’s The Missing Girl. Though fiction is my preferred genre, I rather preferred the nonfiction samples of letters and speeches that I’ve encountered so far. Although this one grabbed my attention and kept me hooked in a way that the nonfiction volumes I’ve read did not do quite so efficiently, I know this one won’t impact the way I think about the world as much as Letter From Birmingham Jail and Create Dangerously did. But I still had a great time reading it.
About the book: In this 54 page booklet are three of Shirley Jackson’s short stories. They utilize Gothic, mystifying, and psychological techniques. The first story, “The Missing Girl,” takes place at a camp for teen girls where a roommate is reported missing and the clues lead to contradictions. Is there, in fact, a missing girl? Who is the missing girl?
“…what she says is that of course she loves Martha and all that, and of course no one would want to say anything about a girl like this that’s missing, and probably had something horrible done to her…”
The second story, “Journey With a Lady,” is an intriguing though less puzzling tale. It’s a story about crime and punishment, and perhaps most of all about lies, though those elements all appear surprisingly blatantly in the text. A young boy travels on a train and is at first disgruntled to share his seat with a nosy lady, who makes the train ride an unusual adventure.
The third story, “Nightmare,” follows a woman on an errand in New York City. She becomes more concerned as she realizes that she is the target of some sort of prize-game taking place in the streets that day.
“She realized she could never prove that she wore these clothes innocently, without criminal knowledge…”
“Nightmare” was my favorite story from the book, with “The Missing Girl” following as a close second. I picked up this particular volume from the Penguin Moderns because I read and loved Jackson’s The Haunting of Hill House last October. The first and third stories did remind me of that work– masterfully done with a steady build-up to a delightfully confusing conclusion. The second story did not seem as sinister as I had expected, though it did lead me down some interesting trains of thought regarding right vs. wrong.
” ‘I’m not ever going to do it again,’ the woman said. ‘I mean, you sort of build up all your life for one real good time like this, and then you can take your punishment and not mind it so much.’ “
These are stories that make the reader think. Determining what is going on and how and why is generally up to the reader; the base of the story is provided, but there seem to be several options from which to form theories, which is my favorite sort of conclusion to a story. This book is for the lover of ambiguous endings.
“It was generally conceded in the town that the girl had been followed in the darkness by a counselor from the camp, preferably one of the quiet ones, until she was out of sight or sound of help. The townspeople remembered their grandfathers had known of people disposed of in just that way, and no one had ever heard about it, either.”
My reaction: 4 out of 5 stars. This volume was a quick and engaging read for me. It didn’t expand my thinking quite like the nonfiction Penguin Moderns I’ve read so far, but it did engage me while I was reading and it seemed an accurate sample of Jackson’s work. Though I don’t think these will end up being my favorite Jackson stories, they did help me decide to pick up more of her work, so I’d say this was a successful read for me.
Do you like reading creepy books? I find I’m more a fan of the psychological than the slasher variety of thrilling; which do you prefer?
The Literary Elephant