Review: Lord of Shadows

I’m not sure if the release date for Dark Artifices book 3 (Queen of Air and Darkness) got pushed back or if I just wasn’t paying enough attention to it in the first place, because I thought I needed to be prepared to read it by February or March, not December 2018. That’s why I decided to pick up Cassandra Clare’s Lady Midnight and Lord of Shadows (Dark Artifices books 1 and 2) in January. I hope I will remember them well enough when book three is published, because after reading Lord of Shadows this week I know I’m definitely going to be reading the final book of this trilogy ASAP.

lordofshadowsAbout the book: Emma is trying to prevent the parabatai curse from befalling her and Julian by convincing him that she’s not in love with him. In the midst of that emotional turmoil, there’s a dangerous trip into Faerie that sets a new adventure in motion. The Seelie Queen wants to make a deal with the Blackthorns– a deal that involves finding Annabelle and the Black Volume. But she’s not the only one with an interest in the book, which means Emma, Cristina, and the Blackthorns need to watch out for some new deadly enemies. No one is sure whether Kieran is on the Blackthorns’ side now, or how far they can trust the Centurions who come looking for Malcolm. And where is Annabelle? What will she do next? Is she truly alive?

“We fear things because we value them. We fear losing people because we love them. We fear dying because we value being alive. Don’t wish you didn’t fear anything. All that would mean is that you didn’t feel anything.”

One thing that Lord of Shadows does better than Lady Midnight is to let the inevitable forbidden love angst stand behind the rest of the plot. Sure, Emma and Julian still love each other and that’s still a problem, but they’re trying to solve it by moving on, which means the rest of the story can take precedence. And it’s a great story. There are surprising twists woven throughout the book, and hints at what the final book of the trilogy will pull from its sleeves. The characters are coming into their own a little more, changing and becoming stronger and finding their own places in the story. We get more perspectives, more of Christina and Mark, more of the other Blackthorn siblings, more Kit. I find I care more about Emma and Julian when the narration takes a step back from their tortured love story.

“I think you cannot root out love entirely. I think where there has been love, there will always be embers, as the remains of a bonfire outlast the flame.”

It’s also great to see farther inside of Faerie with this trilogy. It’s a darkly whimsical place, and it rounds out the Downworld side of Clare’s Shadowhunter novels– we’ve seen vampires, warlocks, werewolves, and of course Nephilim, but faeries only in passing. Lord of Shadows takes the reader a step out of the mundane world for a whole new aspect of Clare’s Shadowhunting universe. Even in fantasy novels, it’s wonderful to see all perspectives represented.

Speaking of representation, Lord of Shadows covers a wide range of more familiar diversity topics as well. While Shadowhunter books have always been advocates of diversity, I have to admit that aspect is starting to feel a little more forced. It did to me in Lord of Shadows, anyway. For example, there’s a transgender character who reveals her medical history seemingly for the sole purpose of receiving an acceptance speech from another character. Accepting transgender characters is good, but it felt like it was just pushed into the story so that Clare could write about being accepting of it. If this character had made a stand against the Clave and the law that prevents her from holding the job she wants because of her gender identity, this reveal would’ve fit into the story a whole lot better. But the law goes unchallenged even hypothetically, and I don’t understand why.

There are good examples too, though. Like Mark’s conflicting loves for Cristina and Kieran. The conflict isn’t in the fact that he’s bisexual and loves both a boy and a girl, the conflict is in the fact that one of them is a faerie and one is a Shadowhunter; Mark is caught between two worlds, and his relationships are a reflection of that. It fits into the story as more than a display of bisexuality.

As long as we’re on the topic of love, I think I’ve finally realized my biggest pet peeve with Cassandra Clare books: every single character seems to be romantically interested in basically every character he or she could ever possibly ever be romantically interested in. There’s something about the narration that makes every routine introduction between characters oddly charged. Every friendship also seems to include both parties being especially aware of the other person’s body and love life. Every gesture and sentence is noticed by someone in some romantic way. Clare’s just covering all the bases for angst, I guess, but can’t anyone just be friends? Can’t they just be casual acquaintances? Is there really that much romance in life? Am I missing out?

But that’s a small matter. Clare readers who’ve been interested in the Shadowhunter novels this long know they’re at least partially in it for the forbidden romance. Let’s go back to diversity.

I especially appreciate the Greek and Roman references in this trilogy, though I am a little disappointed we’re getting so many Latin phrases and quotes from ancient Rome without much reference to the mythology. Especially with a character named Diana after “the goddess of the hunt,” I expected a little more. But I’ve been loving practicing my Spanish skills every time Cristina or Diego forget to speak English. There are some great names thrown in when Shadowhunters from all over the world meet for missions or meetings. And even our main characters do some traveling to show readers a bit of variety in culture. Even though Idris is a made-up place, it’s even exciting to see the differences between real places and fictional ones. Fantasy is a genre uniquely capable of uniting very different peoples and creating spaces where peace and harmony are possible in ways we don’t see anywhere yet in reality. It gives readers a goal, something to strive for in real life even where there aren’t Shadowhunters and Downworlders fighting to the death.

“Fiction is truth, even if it is not fact. If you believe only in facts and forget stories, your brain will live, but your heart will die.”

My reaction: 4 out of 5 stars. This is the same rating I gave Lady Midnight, but I definitely liked Lord of Shadows better. And I’m hope book 3 will impress me even more. I’m so excited (even though I’m a month late to count it as a successful end to my 2017 goal) to finally have finished my Shadowhunter reading marathon! I have now officially read all the Shadowhunter books currently published, and it feels good. I’m glad I kept going this far even though I haven’t loved every Clare book I’ve read in the past year. I’m still waiting for the Clave to be reorganized, though. Still. Waiting.

Sincerely,

The Literary Elephant

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4 thoughts on “Review: Lord of Shadows”

    1. Yes! Cassandra Clare books always have some great one-liners. Her beautiful prose is a big part of why I keep coming back to her books even when I’m not sure I’m invested enough in the stories to continue. This book was definitely one of my Shadowhunter faves! 🙂

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